Bravado, Blind Spots, and Blunt Force: Making the Case for Reflective Researchers

IF 1.1 Q3 EDUCATION & EDUCATIONAL RESEARCH Journal of Music Teacher Education Pub Date : 2021-10-01 DOI:10.1177/10570837211048368
James R. Austin
{"title":"Bravado, Blind Spots, and Blunt Force: Making the Case for Reflective Researchers","authors":"James R. Austin","doi":"10.1177/10570837211048368","DOIUrl":null,"url":null,"abstract":"Being a journal editor, I read numerous manuscripts and many published articles. As such, I occasionally step back and gauge whether certain patterns or trends are emerging in music education and music teacher education scholarship. One area of concern I have identified is the tendency for some researchers to focus on establishing the veracity and certainty of their findings, while neglecting the ambiguity, complexity, and contradiction that is endemic to the research process, regardless of method. Among fellow quantitative researchers, this orientation often is revealed by an adherence to specific significance levels (regardless of effect sizes), an emphasis on findings that conform with theory and past research while ignoring counterintuitive or confounding results, and the misguided belief that complex designs and sophisticated statistical tools always provide the best path to data nuances or interpretive intricacies. Qualitative researchers are also culpable. While qualitative research is positioned to deal with the “squishy” elements of reality by virtue of how the researcher role is defined, the expressed desire to describe and understand rather than explain in definitive terms, and the emergent nature of research questions, there is an ample amount of qualitative work in which authors appear hell-bent on employing a distorted lens, coding capriciously, and/or converging only on themes that serve to confirm a priori rhetorical positions. Rather than unpacking an issue or, in colloquial terms, pealing back layers of the onion, such researchers parse a phenomenon or experience in ways that present only a partial understanding or a narrow/slanted interpretation. There may be critique, but no context for framing the critique or suggesting alternative paths. I suspect many of my former graduate students are able to quote various adages verbatim that I employ to poke at such behaviors. Here are some examples of those Austinisms: “One study, let alone one analysis, does not establish anything”; “If you","PeriodicalId":44687,"journal":{"name":"Journal of Music Teacher Education","volume":"31 1","pages":"6 - 8"},"PeriodicalIF":1.1000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Music Teacher Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/10570837211048368","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 1

Abstract

Being a journal editor, I read numerous manuscripts and many published articles. As such, I occasionally step back and gauge whether certain patterns or trends are emerging in music education and music teacher education scholarship. One area of concern I have identified is the tendency for some researchers to focus on establishing the veracity and certainty of their findings, while neglecting the ambiguity, complexity, and contradiction that is endemic to the research process, regardless of method. Among fellow quantitative researchers, this orientation often is revealed by an adherence to specific significance levels (regardless of effect sizes), an emphasis on findings that conform with theory and past research while ignoring counterintuitive or confounding results, and the misguided belief that complex designs and sophisticated statistical tools always provide the best path to data nuances or interpretive intricacies. Qualitative researchers are also culpable. While qualitative research is positioned to deal with the “squishy” elements of reality by virtue of how the researcher role is defined, the expressed desire to describe and understand rather than explain in definitive terms, and the emergent nature of research questions, there is an ample amount of qualitative work in which authors appear hell-bent on employing a distorted lens, coding capriciously, and/or converging only on themes that serve to confirm a priori rhetorical positions. Rather than unpacking an issue or, in colloquial terms, pealing back layers of the onion, such researchers parse a phenomenon or experience in ways that present only a partial understanding or a narrow/slanted interpretation. There may be critique, but no context for framing the critique or suggesting alternative paths. I suspect many of my former graduate students are able to quote various adages verbatim that I employ to poke at such behaviors. Here are some examples of those Austinisms: “One study, let alone one analysis, does not establish anything”; “If you
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
虚张声势、盲点和钝力:为反思研究者提供案例
作为一名期刊编辑,我阅读了大量的手稿和发表的文章。因此,我偶尔会退后一步,衡量音乐教育和音乐教师教育奖学金中是否出现了某些模式或趋势。我发现的一个值得关注的领域是,一些研究人员倾向于专注于建立他们研究结果的准确性和确定性,而忽略了研究过程中特有的模糊性、复杂性和矛盾性,而不管采用何种方法。在定量研究人员中,这种倾向通常表现为坚持特定的显著性水平(不管效应大小),强调与理论和过去的研究一致的发现,而忽视反直觉或混淆的结果,以及错误地认为复杂的设计和复杂的统计工具总是为数据的细微差别或解释的复杂性提供最佳途径。定性研究人员也有责任。虽然定性研究的定位是通过研究者角色的定义,描述和理解而不是用明确的术语解释的表达愿望,以及研究问题的突发性来处理现实的“模糊”元素,但有大量的定性研究中,作者似乎执意使用扭曲的镜头,反复编码,和/或只集中在有助于确认先验修辞立场的主题上。这些研究人员不是把一个问题拆解,或者用通俗的话来说,是把洋葱层层剥开,而是以一种只提供部分理解或狭隘/倾斜解释的方式来分析一个现象或经历。可能会有批评,但没有框架批评或建议替代路径的背景。我怀疑我以前的许多研究生都能一字不差地引用我用来抨击这种行为的各种格言。这里有一些自闭症的例子:“一项研究,更不用说一次分析,并不能建立任何东西”;“如果你
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Journal of Music Teacher Education
Journal of Music Teacher Education EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
1.90
自引率
41.70%
发文量
27
期刊最新文献
Online Social Comparison and Impostor Phenomenon Among Music Education Undergraduates “I Want to Be a Better Person and a Better Teacher”: Exploring the Constructs of Race and Dis/ability in a Music Educator Collaborative Teacher Study Group Intro to What? Interrogating Introduction to Music Education Courses Preservice Music Teachers’ Perceptions of Teaching Contexts Perspectives and Expertise of Secondary Ensemble Music Educators With ADHD
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1