Thomas Aquinas and Dionysian Ecclesiastical Hierarchy

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2022-05-01 DOI:10.1215/10829636-9687844
E. Reese
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Abstract

The thought of Thomas Aquinas is rightly understood to be hierarchical, but the word hierarchy is understood diversely across time and place, and important readers of Thomas have praised or blamed him for being less hierarchical than his contemporaries. Early modern critique of hierarchy with its political edge often dominates understanding of the notion, but such critique stems from medieval controversies over religious perfection and sacramental life, which in turn echo the monastic polemics of Pseudo-Dionysius, the probable inventor of the term hierarchy. The massive influence of Dionysius made him a contested authority in Thomas's time, and in his battles with secular clergy the Dominican theologian shows himself a more careful interpreter of the pseudo-Areopagite than his contemporaries, who purported to defend hierarchy against the mendicants. This study presents the reading method of Aquinas as a contemplative project, motivated and delineated by the mendicant controversies of the thirteenth century, and undertaken alongside the obscure Dionysius within their common pursuit of religious perfection.
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托马斯·阿奎那与酒神教会等级制度
托马斯·阿奎那的思想被正确地理解为等级制度,但等级制度一词在时间和地点上有不同的理解,托马斯的重要读者称赞或指责他没有同时代人那么等级制度。早期现代对等级制度及其政治边缘的批判往往主导着对这一概念的理解,但这种批判源于中世纪关于宗教完美和圣礼生活的争议,而这反过来又呼应了等级制度一词的可能发明者伪酒神的修道院争论。狄奥尼修斯的巨大影响力使他在托马斯时代成为一个有争议的权威,在他与世俗神职人员的斗争中,这位多明尼加神学家表现出了比同时代人更仔细的伪阿留帕派解读者的身份,后者声称要捍卫等级制度,对抗托钵僧。本研究将阿奎那的阅读方法呈现为一个沉思的项目,受到十三世纪托钵者争议的激励和描绘,并与晦涩的狄奥尼修斯一起在他们共同追求宗教完美的过程中进行。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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