{"title":"Rasa and resilience: where to from here","authors":"Reshma Maharajh","doi":"10.1080/02533952.2022.2042961","DOIUrl":null,"url":null,"abstract":"ABSTRACT Situated within rasa, an Indian aesthetic philosophy, and drawing on Kasulis’s philosophical model that compares integrity with intimacy in understanding the world, this paper will aim to explore and expand on levels of resilience so that as I analyse buffeting in my creative projects, I access the energies that allow me to return to equilibrium, to balance, to wholeness and to Oneness. The notion of resilience requires the pursuit of a solution to a problem. The integrity approach fosters the artist as being “outside” the problem and solution, employing strategic tactics in the pursuit of meaning. The intimacy model fosters an immersion process, and I draw on the dynamics of rasa and the underlying, interwoven principles of integration. The understanding of the integrity model focuses on the notion of art-artist and the problem of strategic separation, whilst rasa looks at the embodiment and subject formation from the body/mind intimacy perspective. My creative practice offers a stance as the intermediary between conceptualisation, creation, understanding and methodology between the embodied self and resilience.","PeriodicalId":51765,"journal":{"name":"Social Dynamics-A Journal of African Studies","volume":"48 1","pages":"104 - 119"},"PeriodicalIF":0.5000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Social Dynamics-A Journal of African Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/02533952.2022.2042961","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Situated within rasa, an Indian aesthetic philosophy, and drawing on Kasulis’s philosophical model that compares integrity with intimacy in understanding the world, this paper will aim to explore and expand on levels of resilience so that as I analyse buffeting in my creative projects, I access the energies that allow me to return to equilibrium, to balance, to wholeness and to Oneness. The notion of resilience requires the pursuit of a solution to a problem. The integrity approach fosters the artist as being “outside” the problem and solution, employing strategic tactics in the pursuit of meaning. The intimacy model fosters an immersion process, and I draw on the dynamics of rasa and the underlying, interwoven principles of integration. The understanding of the integrity model focuses on the notion of art-artist and the problem of strategic separation, whilst rasa looks at the embodiment and subject formation from the body/mind intimacy perspective. My creative practice offers a stance as the intermediary between conceptualisation, creation, understanding and methodology between the embodied self and resilience.
期刊介绍:
Social Dynamics is the journal of the Centre for African Studies at the University of Cape Town, South Africa. It has been published since 1975, and is committed to advancing interdisciplinary academic research, fostering debate and addressing current issues pertaining to the African continent. Articles cover the full range of humanities and social sciences including anthropology, archaeology, economics, education, history, literary and language studies, music, politics, psychology and sociology.