THE EPILOGUE OF DENNIS LEHANE’S MYSTIC RIVER: A SYNTACTIC ANALYSIS

Wedhowerti Wedhowerti
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Abstract

The study aims to analyze the epilogue of Lehane’s Mystic River. It employs syntactic approach, and it is qualitative in nature. Departing from the fact that novel is considered as a form of creative writing, syntax with its syntactic analysis then enables the researcher to go deeper into the epilogue of Lehane’s to understand its creative use of language. The five sentences in the epilogue are studied to find out how Lehane produces his clause types and thematic relations in his novel. The results yield the five sentences in the epilogue are all finite clauses for they have a finite verb in each. In terms of thematic relations, each verb in the five sentences of Lehane’s epilogue assigns different thematic roles. Each verb has different lexical representation. Verb come in Datum 1 assigns Agent and Source. Verb pull in Datum 2 assigns Agent and Theme. Verb look in Datum 3 assigns Agent and Location. Meanwhile Datum 4 has two thematic roles (Theme and Location). Datum 4 has no Agent in it. Verb block in Datum 5 assigns Agent, Theme, and Location. The four thematic roles have different state of percentage where Agent occupies the highest number of 36.36%. It is followed by both Theme and Location of 27.27% respectively. Source, in contrary, has the lowest number of 9.09%.
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邓《神秘之河》结语的句法分析
本研究旨在分析勒汉的《神秘河》的后记。它采用句法方法,本质上是定性的。从小说被认为是一种创造性写作的事实出发,句法及其句法分析使研究者能够更深入地了解勒汉的结语,以理解其创造性的语言使用。本文以结语中的五句话为研究对象,探讨勒汉在小说中是如何形成子句类型和主位关系的。结果表明,后记中的五个句子都是有限分句,因为它们每个句子中都有一个有限动词。在主位关系方面,Lehane后记的五句话中每个动词都赋予了不同的主位角色。每个动词都有不同的词汇表示法。动词进入数据1指定代理和源。参考资料2中的动词拉动分配代理和主题。数据3中的动词查找分配代理和位置。同时Datum 4有两个主题角色(Theme和Location)。数据4中没有Agent。数据5中的动词块分配代理、主题和位置。四个主题角色的百分比状态不同,Agent所占比例最高,为36.36%。其次是主题和地点,分别占27.27%。相反,Source的比例最低,为9.09%。
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22
审稿时长
6 weeks
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