Claude V. Palisca as Music Educator: The Yale Seminar on Music Education and the Norton Anthology of Western Music

Jelena Dj. Simonović Schiff, J. Humphreys
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引用次数: 2

Abstract

Claude V. Palisca (1921–2001) was a prominent American musicologist and music educator. He authored books and articles about Renaissance and Baroque music theory and developments in musicology, but is most widely known as the founder and first editor of the Norton Anthology of Western Music (NAWM) and coauthor of A History of Western Music, the two music history textbooks that are still in use in classrooms worldwide. In this article, we trace Palisca’s first idea of the NAWM’s structure, content, and purpose through his writings and activities between the 1950s and late 1970s. The central part among Palisca’s activities in music education belongs to his organization of the Yale Seminar on Music Education, his seminar report, and the listening curriculum designed to instill more balance between performance and academic study in largely performance-oriented public school music programs. In his listening curriculum, Palisca argued for emphasis on understanding music through listening within the historical and theoretical context of the music work, an approach he would later pursue in the NAWM. Palisca hinted that a similar teaching “package” is needed for the undergraduate level, thus identifying the listening curriculum from his Yale Seminar report as the first glimmer of the future NAWM.
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音乐教育家克劳德·V·帕利斯卡:耶鲁音乐教育研讨会与诺顿西方音乐选集
克劳德·帕利斯卡(1921–2001)是美国著名的音乐学家和音乐教育家。他撰写了关于文艺复兴和巴洛克音乐理论以及音乐学发展的书籍和文章,但最广为人知的是《诺顿西方音乐选集》(NAWM)的创始人和第一任编辑,以及《西方音乐史》的合著者,这两本音乐史教科书仍在世界各地的课堂上使用。在这篇文章中,我们通过帕利斯卡在20世纪50年代至70年代末的写作和活动,追溯了他对NAWM的结构、内容和目的的最初想法。帕利斯卡音乐教育活动的核心部分是他组织的耶鲁音乐教育研讨会、研讨会报告,以及旨在在主要以表演为导向的公立学校音乐课程中灌输表演和学术学习之间更多平衡的听力课程。在他的听力课程中,帕里斯卡主张强调在音乐作品的历史和理论背景下通过听力来理解音乐,这是他后来在NAWM中追求的方法。Palisca暗示,本科阶段需要类似的教学“一揽子计划”,从而将耶鲁研讨会报告中的听力课程确定为未来NAWM的第一缕曙光。
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