La musica di Stephen Collins Foster dall’Ottocento ai giorni nostri fra storia, cultura e società

Paolo Somigli, Luigi Conidi
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Abstract

Stephen Collins Foster (1826-1864) is a crucial figure in the history of popular music, and in American history at large: the author of globally known songs such as, among many others, Susanna or Old Folks at Home, in 1951 a Congress resolution described him as «the father of American popular music». Despite this, for several decades his work and his own figure have been at the center of a heated debate that is leading to removal from both the musical and civil world. This contribution proposes a didactic unit aimed at providing knowledge about what is ultimately a fundamental author, filling, among other things, a substantial gap in Italian musicological literature. It is addressed primarily to Secondary Schools. However, its basic concepts can also be useful for Upper Secondary Schools and for Italian Popular music history courses at university or conservatory level.
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史蒂芬·科林斯·福斯特的音乐从19世纪到今天介于历史、文化和社会之间
Stephen Collins Foster(1826-1864)是流行音乐史上以及整个美国历史上的一位重要人物:他创作了全球知名歌曲,如《苏珊娜》或《家里的老人》,1951年国会决议将他描述为“美国流行音乐之父”。尽管如此,几十年来,他的作品和他自己的形象一直处于一场激烈辩论的中心,这场辩论正导致他被音乐界和民间界除名。这篇文章提出了一个教学单元,旨在提供关于什么是最终的基本作者的知识,填补意大利音乐学文学中的一个巨大空白。它主要针对中学。然而,它的基本概念也可以用于高中以及大学或音乐学院级别的意大利流行音乐历史课程。
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Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia Università e conoscenze: le relazioni fruttuose Un percorso didattico sul “Rigoletto” di Verdi: «La donna è mobile» e la voce come fantasma Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
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