Experiencing the Riverscape: An Eco-Spiritual Decoding of Gangetic ‘Triveni-Sangam’ in select writings of Neelum Saran Gour

IF 0.5 Q3 CULTURAL STUDIES Open Cultural Studies Pub Date : 2020-01-01 DOI:10.1515/culture-2020-0009
Chhandita Das, P. Tripathi
{"title":"Experiencing the Riverscape: An Eco-Spiritual Decoding of Gangetic ‘Triveni-Sangam’ in select writings of Neelum Saran Gour","authors":"Chhandita Das, P. Tripathi","doi":"10.1515/culture-2020-0009","DOIUrl":null,"url":null,"abstract":"Abstract Contemporary times have triggered for an interdisciplinary cusp between disciplines that were conventionally read in a hinged academic encore. The Gangetic ‘Triveni-Sangam’ near Allahabad city where three holy rivers Ganga, Yamuna and Saraswati converge, is believed to be the holiest riverscape as one drop of amrit (nectar) during ocean churning by Gods and demons fell into its water and therefore, bathing and dipping in this sangam or confluence is considered auspicious. It is not that people only experience such spiritual values, rather internalize the same, even sometimes beyond religious restraints formulating a holistic human and ecological bonding. Therefore, river or for that matter riverscape like sangam transcends the environmental physical boundary to the living one as it shapes people’s experiences and accordingly adds meaning in their lives. Indian English author Neelum Saran Gour’s fictional representation of the riverscape of Gangetic ‘Triveni-Sangam’ in her select writings like Allahabad Aria (2015), Invisible Ink (2015), and Requiem in Raga Janki (2018) are woven within the interdisciplinary framework of ‘eco-spirituality’. The present research will examine how riverscape as an eco-spiritual entity shapes individuals’ experiences and helps them to locate the ‘self’ both in vyashti (the individual) and samashti (the collective) scale.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/culture-2020-0009","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/culture-2020-0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 1

Abstract

Abstract Contemporary times have triggered for an interdisciplinary cusp between disciplines that were conventionally read in a hinged academic encore. The Gangetic ‘Triveni-Sangam’ near Allahabad city where three holy rivers Ganga, Yamuna and Saraswati converge, is believed to be the holiest riverscape as one drop of amrit (nectar) during ocean churning by Gods and demons fell into its water and therefore, bathing and dipping in this sangam or confluence is considered auspicious. It is not that people only experience such spiritual values, rather internalize the same, even sometimes beyond religious restraints formulating a holistic human and ecological bonding. Therefore, river or for that matter riverscape like sangam transcends the environmental physical boundary to the living one as it shapes people’s experiences and accordingly adds meaning in their lives. Indian English author Neelum Saran Gour’s fictional representation of the riverscape of Gangetic ‘Triveni-Sangam’ in her select writings like Allahabad Aria (2015), Invisible Ink (2015), and Requiem in Raga Janki (2018) are woven within the interdisciplinary framework of ‘eco-spirituality’. The present research will examine how riverscape as an eco-spiritual entity shapes individuals’ experiences and helps them to locate the ‘self’ both in vyashti (the individual) and samashti (the collective) scale.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
体验河景:尼鲁姆·萨兰·古尔精选作品中Gangetic“Triveni Sangam”的生态精神解读
摘要当代引发了学科之间的跨学科交叉,而这些学科通常是在铰链式的学术安可曲中阅读的。阿拉哈巴德市附近的恒河“Triveni Sangam”是恒河、亚穆纳河和萨拉斯瓦蒂河三条圣河的交汇处,被认为是最神圣的河流景观,因为在众神和魔鬼的搅动下,一滴甘露落入水中,因此,在这条桑甘河或交汇处沐浴和浸泡被认为是吉祥的。人们并不是只体验这种精神价值观,而是将其内化,甚至有时超越宗教约束,形成一种整体的人类和生态联系。因此,河流或桑加姆这样的河流景观超越了环境的物理边界,成为了生活的边界,因为它塑造了人们的体验,从而增加了他们生活的意义。印度裔英国作家尼鲁姆·萨兰·古尔在其精选作品《阿拉哈巴德阿里亚》(2015)、《看不见的墨水》(2015年)和《拉加·詹基安魂曲》(2018)中对恒河“特里韦尼·桑加姆”河景的虚构再现,是在“生态精神”的跨学科框架内编织而成的。本研究将考察河流景观作为一个生态精神实体如何塑造个人的体验,并帮助他们在vyashti(个人)和samashti(集体)尺度上定位“自我”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
期刊最新文献
Erratum to “‘Thrice the brindled cat hath mew’d’ – The Three Trials of William Hone” Data that Should Not Have Been Given: Noise and Immunity in James Newitt’s HAVEN Tracing Exilience Through Literature and Translation: A Portuguese Gargantua in Paris (1848) Montana as Place of (Un)Belonging: Landscape, Identity, and the American West in Bella Vista (2014) A Syphilis-Giving God? On the Interpretation of the Philistine’s Scourge
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1