Variazione del tema. Sinossi, trailer, trama, tema, significato nel re-editing di "The Favourite" = Variation of the theme. Synopsis, trailer, plot, theme, meaning in the re-editing of "The Favourite"

IF 0.2 Q4 COMMUNICATION H-ermes-Journal of Communication Pub Date : 2019-06-24 DOI:10.1285/I22840753N14P21
M. Federico
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Abstract

The research hypothesis that guides the work is that the meaning of a film, as intended in a “procedural terms”, begins even before its vision and precisely in the dialogue between the paratexts to which we expose ourselves before its vision and the film itself, which can direct the viewer's interpretation in several ways. The video essay is a double experiment: on one hand, it reconstructs "what it is about" The Favourite by Yorgos Lanthimos by recomposing the information retrieved from some promotional texts that are available online. On the other hand it reassembles parts of the film verbatim to show how it would have been according to the narrative segments highlighted by the various synopses or, vice versa, recontextualizing the images of the trailer as they are presented in the film. If on one hand this highlights the partiality and the differences of focus in the various texts, on the other hand the editing operations, made possible by the very form of the essay, touch the living material of the narrative structure of the film by distorting it, thus giving it the possibility of revealing its own density by exposing the multiple interpretations it contains. A practice of "metacriticism” that analyzes the narrative to reveal the semantic paths that are not immediately obvious. Link Videosaggio: https://vimeo.com/341335554
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主题变奏曲。摘要,预告片,情节,主题,意思在重新编辑的“宠儿”=主题的变化。- = ytet -伊甸园字幕组= -翻译:
指导这项工作的研究假设是,一部电影的意义,正如“程序术语”所打算的那样,甚至在它的视觉之前就开始了,恰恰是在我们在它的视觉和电影本身面前暴露自己的文本之间的对话中开始的,这可以从几个方面指导观众的解释。这篇视频文章是一个双重实验:一方面,它通过重新组合从网上可获得的一些宣传文本中检索到的信息,重构了Yorgos Lanthimos的《最爱》(The Favourite)的“它是关于什么的”。另一方面,它一字不差地重新组合电影的部分内容,以显示它是如何根据各种大纲突出的叙事片段的,反之亦然,将预告片的图像重新置于电影中呈现的背景中。如果这一方面突出了各种文本的偏袒和焦点的差异,另一方面,由于文章的形式而成为可能的编辑操作,通过扭曲它来触摸电影叙事结构的活材料,从而使它有可能通过暴露它所包含的多种解释来揭示其自身的密度。“元批评”的一种实践,通过对叙事的分析来揭示语义路径,而这些路径并不是显而易见的。链接Videosaggio: https://vimeo.com/341335554
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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