While ‘Gramming’ a Wedding in India: Media and the Reproduction of a ‘Bridal Femininity’

IF 0.5 Q4 COMMUNICATION Tripodos Pub Date : 2021-07-04 DOI:10.51698/tripodos.2021.50p147-167
Athira B K
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引用次数: 1

Abstract

This paper examines the changing wedding scenes and performance of bridehood in India in a post-liberalisation period. The study, based on a digital ethnography, explores the changing wedding practices by considering the role of digital media in circulating and reifying the image of an emergent bridehood, tethering it to the ideology of consumption as well as distinctions based on social categories like gender and religion. It looks into the possibility of a scheme that goes beyond the narrative of ‘uniformisation’ in explaining the changes manifested in the performance of bridehood in the Eastern and Western regions of India, with an expansion of social media practices in the recent years.
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印度婚礼的“语法化”:媒体与“新娘女性气质”的再现
本文考察了后自由化时期印度婚礼场景和婚礼现场表演的变化。这项研究基于数字民族志,通过考虑数字媒体在传播和具体化新兴新娘形象方面的作用,将其与消费意识形态以及基于性别和宗教等社会类别的区别联系起来,探索了不断变化的婚礼实践。它探讨了一种超越“统一”叙事的方案的可能性,以解释近年来随着社交媒体实践的扩大,bridehood在印度东部和西部地区表现出的变化。
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来源期刊
Tripodos
Tripodos COMMUNICATION-
CiteScore
2.20
自引率
0.00%
发文量
7
审稿时长
16 weeks
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