Tape Recording Hollywood

IF 0.5 0 FILM, RADIO, TELEVISION Music Sound and the Moving Image Pub Date : 2022-12-01 DOI:10.3828/msmi.2022.8
Eric Dienstfrey
{"title":"Tape Recording Hollywood","authors":"Eric Dienstfrey","doi":"10.3828/msmi.2022.8","DOIUrl":null,"url":null,"abstract":"Abstract:This article details the historical factors that shaped Hollywood's adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the film industry initially wired magnetic media into its production and postproduction stages. In so doing, I explain why the adoption of such a revolutionary recording technolog y did not initially usher in changes to the industry's modes of acoustical representation and why these changes instead took place several decades later.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/msmi.2022.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract:This article details the historical factors that shaped Hollywood's adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the film industry initially wired magnetic media into its production and postproduction stages. In so doing, I explain why the adoption of such a revolutionary recording technolog y did not initially usher in changes to the industry's modes of acoustical representation and why these changes instead took place several decades later.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
好莱坞录音带
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Music Sound and the Moving Image
Music Sound and the Moving Image FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
0.00%
发文量
6
期刊最新文献
Introduction: Listening to/with Game Worlds Playing with Fire (and Other Natural Disasters): The Sounds of Climate Change in Sid Meier's Civilization VI: Gathering Storm About the Authors So You're Going on a “Short” Hike? Sensory Awareness and Listening to Ecoregions in A Short Hike Playing the “Fantastical Gap”: Embedded Soundscapes in Video Games
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1