Analogies of Harm: Excess, Expression, and Obscenity in Margaret Atwood's Bodily Harm and the Supreme Court of Canada Decision R v Butler

Pub Date : 2020-10-29 DOI:10.3828/bjcs.2020.3
Benjamin Authers
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Abstract

Abstract:Thinking through Margaret Atwood's 1981 novel Bodily Harm and the 1992 Supreme Court of Canada case R v Butler, this article examines a Canadian discussion about the excessiveness of the freedom of expression to which obscenity has been key. For Atwood, expression is central to Bodily Harm's narrative of personal, political revelation. Yet it is also at the root of a discourse of harm that Atwood elucidates throughout the novel as she incorporates pornography into an expansive analogic continuity of violence. In Butler, the Supreme Court curtails obscenity in the name of equality and collective well-being, even as it continues to view expression as a valuable individual freedom and a national good. In each text freedom of expression both is and is not safeguarded; in each, the freedom can be conceived of and celebrated, but its excessive possibilities must also be contained.
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伤害的类比:玛格丽特·阿特伍德的身体伤害中的过度、表达和淫秽以及加拿大最高法院对R诉巴特勒案的判决
摘要:本文通过玛格丽特·阿特伍德1981年的小说《身体伤害》和1992年加拿大最高法院的R诉巴特勒案,考察了加拿大人对以淫秽为核心的过度表达自由的讨论。对于阿特伍德来说,表达是《身体伤害》对个人政治启示的叙述的核心。然而,这也是阿特伍德在整部小说中阐释的一种伤害话语的根源,因为她将色情融入了暴力的广泛类比连续性中。在巴特勒案中,最高法院以平等和集体福祉的名义限制淫秽内容,尽管它继续将言论表达视为宝贵的个人自由和国家利益。在每个文本中,表达自由既有保障,也有不保障;在每一种情况下,自由都是可以设想和庆祝的,但它的过度可能性也必须得到遏制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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