“Not just for their own use …”: Solidarity in Times of Discord

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Cambridge Journal of Postcolonial Literary Inquiry Pub Date : 2022-01-01 DOI:10.1017/pli.2021.27
O. Solovieva
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Abstract

In May 2015, I happened to visit Frankfurt am Main, where during my haphazard exploration of the city I blindly strolled into the building of the Bockenheimer Depot where a new opera was to premiere that evening. It was entitled “Am unseren Fluße” (By Our River), as I saw on the banner outside, and I thought it would be something ecological. I was more interested in the building than in the show, but the decorations of which I could get a glimpse from the lobby and an animated Bohemian crowd drew me in. It turned out to be a powerfully moving piece allegorizing the Israeli-Palestinian conflict, and by extension all human territorial conflicts of that kind, bringing out the absurdity inherent in all territorial claims, profiteering by third parties, humanity’s shared frailty, and love that transcends this all. Some reviewers later referred to it as a “Middle Eastern Romeo and Juliet.”
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“不只是为了他们自己的使用……”:不和谐时代的团结
2015年5月,我碰巧参观了美因河畔法兰克福,在我随意探索这座城市的过程中,我盲目地走进了博肯海默仓库的大楼,一部新歌剧将于当晚在那里首演。正如我在外面的横幅上看到的那样,它的标题是“Am unseren Fluße”(在我们的河边),我认为这将是一种生态的东西。我对这座建筑比对展览更感兴趣,但大厅里的装饰和活跃的波西米亚人群吸引了我。事实证明,这是一部强有力的感人作品,寓言了以色列-巴勒斯坦冲突,进而寓言了所有此类人类领土冲突,揭示了所有领土主张中固有的荒谬,第三方牟取暴利,人类共同的脆弱,以及超越这一切的爱。一些评论家后来称之为“中东罗密欧与朱丽叶”
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