{"title":"“Frondibus et ramis Dapnes imitata decorem” (Lyr. I, 94). Mito y metamorfosis en la Lyrae Heroyca (1581) de Francisco Núñez de Oria","authors":"María Fernández Ríos","doi":"10.20420/phil.can.2023.594","DOIUrl":null,"url":null,"abstract":"In this paper we have focused our attention on the Neo-Latin epic poem entitled Lyrae Heroycae libri quatuordecim (Salamanca, Matías Gast, 1581) by the Spanish humanist Francisco Núñez de Oria. This epic poem, as little known as its author, combines two a priori antagonistic traditions: the classical epic canon and the novel subject of chivalry. However, we can also observe a notable influence of Ovid in this poem, as well as of Breton literature, who, although to a lesser extent than Virgil, is very present in the different metamorphoses of characters and in different allusions of a mythological nature. In the following pages, we will study how the humanist uses these transformations and mythological allusions from different traditions in a Christian key, as part of the same symbolic reading.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philologica Canariensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20420/phil.can.2023.594","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
In this paper we have focused our attention on the Neo-Latin epic poem entitled Lyrae Heroycae libri quatuordecim (Salamanca, Matías Gast, 1581) by the Spanish humanist Francisco Núñez de Oria. This epic poem, as little known as its author, combines two a priori antagonistic traditions: the classical epic canon and the novel subject of chivalry. However, we can also observe a notable influence of Ovid in this poem, as well as of Breton literature, who, although to a lesser extent than Virgil, is very present in the different metamorphoses of characters and in different allusions of a mythological nature. In the following pages, we will study how the humanist uses these transformations and mythological allusions from different traditions in a Christian key, as part of the same symbolic reading.
“Frondibus et Ramis Dapnes模仿Decorem”(莱尔。I,94)。弗朗西斯科·努涅斯·德·奥里亚的抒情英雄(1581年)中的神话与变形
在本文中,我们将注意力集中在西班牙人文主义者弗朗西斯科·努涅斯·德奥里亚的新拉丁史诗《抒情诗》(Lyrae Heroycae libri quatourdecim,萨拉曼卡,Matías Gast,1581)上。这首鲜为人知的史诗结合了两种先验的对立传统:古典史诗经典和小说侠义主题。然而,我们也可以在这首诗中观察到奥维德以及布列塔尼文学的显著影响,尽管布列塔尼的文学程度不如维吉尔,但他在不同的人物变形和神话性质的不同典故中表现得非常突出。在接下来的几页中,我们将研究人文主义者如何在基督教钥匙中使用这些来自不同传统的转变和神话典故,作为同一象征性阅读的一部分。