(Re)Building a Museum, (Re)Worlding a Nation, (Re)Writing History

IF 0.4 2区 艺术学 0 THEATER TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-09-01 DOI:10.1017/S1054204323000291
A. Fakhrkonandeh
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引用次数: 0

Abstract

The premiere of Hannah Khalil’s A Museum in Baghdad (2019) marks a critical juncture in the history of contemporary British drama. The play is informed by a decolonial dynamic, a longue durée vision, and an evental mode of memory; and renders the museum as a multivalent allegorical space. The complicities of culture, imperialism, and resource extractivism are revealed.
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(再)建设博物馆,(再)世界化一个国家,(重新)书写历史
汉娜·哈利勒的《巴格达博物馆》(2019)的首演标志着当代英国戏剧历史上的一个关键时刻。这部剧是由一个非殖民化的动态,一个长期的视野,和一个事件的记忆模式;并使博物馆成为一个多重寓意的空间。揭示了文化、帝国主义和资源开采的共通之处。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
63
期刊介绍: TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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