Some Notes and Observations on the Tbilisi Hymn to Dionysus (P. Ross. Georg. 1.11)

IF 0.7 2区 历史学 0 CLASSICS CLASSICAL PHILOLOGY Pub Date : 2022-07-01 DOI:10.1086/720301
Bartłomiej Bednarek
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Abstract

The Tbilisi Hymn to Dionysus offers an unusual glimpse into Greek religion in the making. The text, written in the third century CE, is the first draft of a cult song, whose content indicates its clear connection to a mystery cult. Thus, it is tempting to call it a hieros logos of Dionysian initiation, a late cousin or offspring of the religious literature that flourished in Egypt under the rule of Ptolemy Philopator. This paper contains three notes regarding the mythical and theological content of the hymn, as well as its performative context.
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《第比利斯对狄奥尼索斯的赞美诗》(P.Ross.Georg,1.11)
第比利斯对狄奥尼索斯的赞美诗让我们得以一窥正在形成中的希腊宗教。该文本写于公元三世纪,是一首邪教歌曲的初稿,其内容表明它与一个神秘的邪教有着明确的联系。因此,人们很容易将其称为酒神启蒙的hieros logos,是托勒密·菲洛帕特统治下在埃及蓬勃发展的宗教文学的已故表亲或后代。本文就赞美诗的神话和神学内容及其表演语境作了三点说明。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
61
期刊介绍: Classical Philology has been an internationally respected journal for the study of the life, languages, and thought of the Ancient Greek and Roman world since 1906. CP covers a broad range of topics from a variety of interpretative points of view. CP welcomes both longer articles and short notes or discussions that make a significant contribution to the study of Greek and Roman antiquity. Any field of classical studies may be treated, separately or in relation to other disciplines, ancient or modern. In particular, we invite studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, and religion of ancient Greece and Rome. Innovative approaches and originality are encouraged as a necessary part of good scholarship.
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