Aesthetic injustice

IF 0.4 Q3 CULTURAL STUDIES Journal of Aesthetics & Culture Pub Date : 2020-01-01 DOI:10.1080/20004214.2020.1712183
Gustavo H. Dalaqua
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引用次数: 16

Abstract

ABSTRACT In this article, the author advances the concept of aesthetic injustice, which denotes any harm done to someone specifically in her capacity as an aesthetic being, and explores four dimensions of this new philosophical concept. First, the author appeals to the notion of colonial mentality presented by Amílcar Cabral in order to show how aesthetic injustice is experienced differently by the oppressors and the oppressed. Then, the author engages critically with Augusto Boal’s The Aesthetics of the Oppressed and underscores the mutual influence between aesthetic injustice and epistemic injustice. Next, the author suggests how both types of injustice may be resisted by dint of an analysis of Boal’s Theatre of the Oppressed and The Rainbow of Desire. The author concludes by examining how aesthetic injustice is inimical to democracy and by explaining why a democratic regime requires aesthetic justice, a normative concept according to which all citizens are equally entitled to have their way of seeing and feeling about public issues taken into account in political deliberation.
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审美不公正
本文提出了“审美不公”的概念,这一概念指的是某个人作为审美存在而受到的任何伤害,并从四个方面探讨了这一新的哲学概念。首先,作者借助Amílcar Cabral提出的殖民心态概念,来展示压迫者和被压迫者对审美不公的不同体验。然后,作者对奥古斯托·波尔的《被压迫者的美学》进行了批判性的分析,强调了美学不公正与认知不公正之间的相互影响。接下来,作者通过对鲍尔的《被压迫者的剧场》和《欲望的彩虹》的分析,提出了如何抵制这两种类型的不公正。作者最后考察了美学上的不公正是如何对民主有害的,并解释了为什么民主政权需要美学公正,这是一个规范的概念,根据这个概念,所有公民都平等地有权在政治审议中考虑到他们对公共问题的看法和感受。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
15
审稿时长
14 weeks
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