Pub Date : 2024-08-22DOI: 10.1080/20004214.2024.2395511
Simona Chiodo
In the last years, the use of the words “AI art”, i.e. art produced by artificial intelligence, has exponentially increased. Sometimes, they have been used without philosophical awareness, from pub...
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Pub Date : 2024-08-04DOI: 10.1080/20004214.2024.2382875
Sara Callahan
For several decades now, audio-visual artworks have routinely been described as “research” or “research based”. However, the relationship between image, research and theory is often unclear, partic...
{"title":"The standardized, mechanized, and annotated body. Fragmentation as cultural technique in recent video works by Kajsa Dahlberg, Kalle Brolin, and Hanni Kamaly","authors":"Sara Callahan","doi":"10.1080/20004214.2024.2382875","DOIUrl":"https://doi.org/10.1080/20004214.2024.2382875","url":null,"abstract":"For several decades now, audio-visual artworks have routinely been described as “research” or “research based”. However, the relationship between image, research and theory is often unclear, partic...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"5 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141929728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-17DOI: 10.1080/20004214.2024.2380412
Karam AbuSehly
The main work of philosopher Günter Figal (1949–2024) was to undertake the continuation of hermeneutical philosophy after the deaths of its three major proponents: Heidegger, Gadamer, and Ricoeur. ...
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Pub Date : 2024-06-19DOI: 10.1080/20004214.2024.2359728
Ira Avneri
This article explores the controversy between ancient Greek dramatists and their fellow philosophers over the vertical axis, with special reference to Socrates. I begin with a discussion of the ver...
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Pub Date : 2024-06-16DOI: 10.1080/20004214.2024.2367264
Jeeshan Gazi
Since the mid-1980s, film critics and audiences have come to recognize Ishirō Honda’s original cut of Gojira/Godzilla (1954) to be a substantial meditation on the atomic bombing of Japan, an analys...
{"title":"“Whose roar is it, anyway? Localization and ideological communication with respect to the toho Godzilla franchise”","authors":"Jeeshan Gazi","doi":"10.1080/20004214.2024.2367264","DOIUrl":"https://doi.org/10.1080/20004214.2024.2367264","url":null,"abstract":"Since the mid-1980s, film critics and audiences have come to recognize Ishirō Honda’s original cut of Gojira/Godzilla (1954) to be a substantial meditation on the atomic bombing of Japan, an analys...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"46 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141507005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.1080/20004214.2024.2340787
Liv Hausken
In the spring of 2023, we witnessed a breakthrough in the development of AI-generated images accessible to the general public. Pictures of Pope Francis wearing a stylishly long, white puffer jacket...
{"title":"Photorealism versus photography. AI-generated depiction in the age of visual disinformation","authors":"Liv Hausken","doi":"10.1080/20004214.2024.2340787","DOIUrl":"https://doi.org/10.1080/20004214.2024.2340787","url":null,"abstract":"In the spring of 2023, we witnessed a breakthrough in the development of AI-generated images accessible to the general public. Pictures of Pope Francis wearing a stylishly long, white puffer jacket...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"14 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140584621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-13DOI: 10.1080/20004214.2024.2328878
Benjamin W. McCraw
Here, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive...
{"title":"Brutal truth: modern(ist) aesthetics and death metal","authors":"Benjamin W. McCraw","doi":"10.1080/20004214.2024.2328878","DOIUrl":"https://doi.org/10.1080/20004214.2024.2328878","url":null,"abstract":"Here, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"66 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140152730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-12DOI: 10.1080/20004214.2024.2327662
Erlend Lavik
Several television scholars have objected to the frequently made claim that TV drama in recent decades have become “more cinematic”, partly because cinematic-ness is such an ill-defined concept. Th...
{"title":"Cinematic TV drama","authors":"Erlend Lavik","doi":"10.1080/20004214.2024.2327662","DOIUrl":"https://doi.org/10.1080/20004214.2024.2327662","url":null,"abstract":"Several television scholars have objected to the frequently made claim that TV drama in recent decades have become “more cinematic”, partly because cinematic-ness is such an ill-defined concept. Th...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"23 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140152643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-27DOI: 10.1080/20004214.2024.2318816
Marco de Waard
Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as bla...
{"title":"Staging division: power, violence, and theatricality in The Baby of Mâcon","authors":"Marco de Waard","doi":"10.1080/20004214.2024.2318816","DOIUrl":"https://doi.org/10.1080/20004214.2024.2318816","url":null,"abstract":"Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as bla...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140003618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-21DOI: 10.1080/20004214.2024.2315657
Emre Keser
The Humanity Monument, a gigantic monument in Kars, a northeastern border city of Turkey, was intended to be visible from the Armenian side of the border and supposed to send messages of peace, apo...
{"title":"Gazing at monsters: aesthetics, politics, and the national distribution of the sensible","authors":"Emre Keser","doi":"10.1080/20004214.2024.2315657","DOIUrl":"https://doi.org/10.1080/20004214.2024.2315657","url":null,"abstract":"The Humanity Monument, a gigantic monument in Kars, a northeastern border city of Turkey, was intended to be visible from the Armenian side of the border and supposed to send messages of peace, apo...","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":"38 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139977901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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