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What AI “art” can teach us about art 人工智能 "艺术 "能给我们带来哪些启示
IF 0.3 Q3 CULTURAL STUDIES Pub Date : 2024-08-22 DOI: 10.1080/20004214.2024.2395511
Simona Chiodo
In the last years, the use of the words “AI art”, i.e. art produced by artificial intelligence, has exponentially increased. Sometimes, they have been used without philosophical awareness, from pub...
最近几年,"人工智能艺术"(即人工智能创造的艺术)一词的使用呈指数级增长。有时,人们在使用这些词语时并不具备哲学意识,因为它们是由人工智能产生的。
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引用次数: 0
The standardized, mechanized, and annotated body. Fragmentation as cultural technique in recent video works by Kajsa Dahlberg, Kalle Brolin, and Hanni Kamaly 标准化、机械化和注释化的身体。卡伊萨-达尔伯格、卡勒-布洛林和汉尼-卡马利近期录像作品中作为文化技术的碎片化现象
IF 0.3 Q3 CULTURAL STUDIES Pub Date : 2024-08-04 DOI: 10.1080/20004214.2024.2382875
Sara Callahan
For several decades now, audio-visual artworks have routinely been described as “research” or “research based”. However, the relationship between image, research and theory is often unclear, partic...
几十年来,视听艺术作品通常被描述为 "研究 "或 "以研究为基础"。然而,图像、研究和理论之间的关系往往并不明确,尤其是在研究和理论之间。
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引用次数: 0
The unbearable lightness of objects: Günter Figal’s spatial aesthetics 物体难以承受之轻君特-菲加尔的空间美学
IF 0.3 Q3 CULTURAL STUDIES Pub Date : 2024-07-17 DOI: 10.1080/20004214.2024.2380412
Karam AbuSehly
The main work of philosopher Günter Figal (1949–2024) was to undertake the continuation of hermeneutical philosophy after the deaths of its three major proponents: Heidegger, Gadamer, and Ricoeur. ...
哲学家京特-菲加尔(Günter Figal,1949-2024 年)的主要工作是在诠释学哲学的三位主要支持者去世后,对诠释学哲学进行延续:海德格尔、伽达默尔和利科尔。...
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引用次数: 0
The vertical axis and the agôn between theatre and philosophy 戏剧与哲学之间的纵轴与横轴
IF 0.3 Q3 CULTURAL STUDIES Pub Date : 2024-06-19 DOI: 10.1080/20004214.2024.2359728
Ira Avneri
This article explores the controversy between ancient Greek dramatists and their fellow philosophers over the vertical axis, with special reference to Socrates. I begin with a discussion of the ver...
本文探讨了古希腊戏剧家与他们的哲学家同行之间关于纵轴的争论,并特别提到了苏格拉底。首先,我讨论了苏格拉底的...
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引用次数: 0
“Whose roar is it, anyway? Localization and ideological communication with respect to the toho Godzilla franchise” "到底是谁的怒吼?东宝哥斯拉系列的本土化和意识形态传播"
IF 0.3 Q3 CULTURAL STUDIES Pub Date : 2024-06-16 DOI: 10.1080/20004214.2024.2367264
Jeeshan Gazi
Since the mid-1980s, film critics and audiences have come to recognize Ishirō Honda’s original cut of Gojira/Godzilla (1954) to be a substantial meditation on the atomic bombing of Japan, an analys...
自 20 世纪 80 年代中期以来,影评人和观众逐渐认识到,本田石郎最初剪辑的《哥斯拉》(Gojira/Godzilla,1954 年)是一部关于日本原子弹爆炸的沉思之作,是对日本原子弹爆炸的分析。
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引用次数: 0
Photorealism versus photography. AI-generated depiction in the age of visual disinformation 逼真主义与摄影。视觉虚假信息时代的人工智能生成描述
IF 0.3 Q2 Arts and Humanities Pub Date : 2024-04-10 DOI: 10.1080/20004214.2024.2340787
Liv Hausken
In the spring of 2023, we witnessed a breakthrough in the development of AI-generated images accessible to the general public. Pictures of Pope Francis wearing a stylishly long, white puffer jacket...
2023 年春天,我们见证了人工智能生成图像的突破性发展。教皇方济各身穿时尚的白色长款夹克的图片...
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引用次数: 0
Brutal truth: modern(ist) aesthetics and death metal 残酷的真相:现代美学与死亡金属
IF 0.3 Q2 Arts and Humanities Pub Date : 2024-03-13 DOI: 10.1080/20004214.2024.2328878
Benjamin W. McCraw
Here, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive...
在此,我将探讨死亡金属的现代主义美学。首先,我简要描述了一些现代艺术的主题,但并不声称它们是必要的、充分的或详尽无遗的...
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引用次数: 0
Cinematic TV drama 电影电视剧
IF 0.3 Q2 Arts and Humanities Pub Date : 2024-03-12 DOI: 10.1080/20004214.2024.2327662
Erlend Lavik
Several television scholars have objected to the frequently made claim that TV drama in recent decades have become “more cinematic”, partly because cinematic-ness is such an ill-defined concept. Th...
近几十年来,电视剧变得 "更加电影化 "的说法屡见不鲜,一些电视学者对此表示反对,部分原因是 "电影化 "是一个定义不清的概念。这...
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引用次数: 0
Staging division: power, violence, and theatricality in The Baby of Mâcon 分化:《马孔的宝贝》中的权力、暴力和戏剧性
IF 0.3 Q2 Arts and Humanities Pub Date : 2024-02-27 DOI: 10.1080/20004214.2024.2318816
Marco de Waard
Peter Greenaway’s The Baby of Mâcon (1993) was highly controversial at the time of its release; its means for critiquing cinematic voyeurism and the exploitability of audiences were received as bla...
彼得-格林纳威的《马孔的宝贝》(1993 年)在上映时引起了很大争议;该片对电影窥阴癖和观众的可利用性进行了批判,并被认为是一种 "亵渎"。
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引用次数: 0
Gazing at monsters: aesthetics, politics, and the national distribution of the sensible 凝视怪物:美学、政治与感官的国家分布
IF 0.3 Q2 Arts and Humanities Pub Date : 2024-02-21 DOI: 10.1080/20004214.2024.2315657
Emre Keser
The Humanity Monument, a gigantic monument in Kars, a northeastern border city of Turkey, was intended to be visible from the Armenian side of the border and supposed to send messages of peace, apo...
人类纪念碑是土耳其东北部边境城市卡尔斯的一座巨型纪念碑,其目的是让人们从边境的亚美尼亚一侧就能看到它,并向亚美尼亚人传递和平、和平的信息。
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引用次数: 0
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Journal of Aesthetics & Culture
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