The meaning(s) of practice: Puzzling through performative language practice with refugee learners

IF 0.2 0 THEATER Applied Theatre Research Pub Date : 2020-11-01 DOI:10.1386/atr_00040_1
E. Piazzoli, Elif Kir Cullen
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引用次数: 1

Abstract

This article features an investigation into the semantics of the term ‘practice’ coexisting in a multidisciplinary research context. The background of the discussion is a government-funded study with refugees and asylum seekers in Ireland, where process drama, music and dance were used to facilitate second language learning – an approach known as performative language pedagogy. The research is framed by exploratory practice, a methodology that considers ‘practice-as-research’ and ‘understanding-for-practice’ in second language education. An investigation of the meaning(s) of the term ‘practice’ was imperative as a semantic gap existed between the use of the term ‘practice’ in exploratory practice (the research methodology underpinning the study) and the concept of ‘practice’ in performative language pedagogy (the teaching approach used in the study). This article presents findings from twelve qualitative interviews with teacher/artists and practitioners that point towards a shared understanding of practice when working with refugees in language education settings.
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练习的意义:与难民学习者一起进行表演性语言练习
本文对“实践”一词在多学科研究背景下共存的语义进行了调查。讨论的背景是一项由政府资助的针对爱尔兰难民和寻求庇护者的研究,在爱尔兰,过程戏剧、音乐和舞蹈被用来促进第二语言学习,这种方法被称为表演语言教学法。本研究以探索性实践为框架,这是一种将第二语言教育中的“实践即研究”和“理解为实践”的方法论。对“实践”一词的含义进行调查是必要的,因为在探索性实践中使用“实践”(支撑研究的研究方法)和在表演性语言教学法中使用“练习”概念(研究中使用的教学方法)之间存在语义差距。本文介绍了对教师/艺术家和从业者的12次定性采访的结果,这些采访指向了在语言教育环境中与难民合作时对实践的共同理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
50.00%
发文量
6
期刊介绍: Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.
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