M. Kischinhevsky, Gustavo Ferreira, Claudia Góes, A. Seidel, Liana Monteiro
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引用次数: 1
Abstract
This article investigates the process of building a radio programming, increasingly tensioned between two poles: human curation and the algorithmic mediation of automation software. We propose a discussion on the roles played by categories such as musical genres, diversity and repetition. The argument is based on the premise that music remains central to radio at a time of transition in media industries. This time of new intermediacy consolidation is marked by streaming services in which human curation has progressively given way to sophisticated automation systems, reorganizing music listening on a large scale.
期刊介绍：
The journal Comunicação, Mídia e Consumo – Communication, Media and Consumption – is published in printed and digital versions by the Programa de Pós-Graduação em Comunicação e Práticas de Consumo da ESPM-SP – Postgraduate Programme in Communication and Consumption Practices of ESPM-SP – Escola Superior de Propaganda e Marketing – Superior School of Propaganda and Marketing and it is evaluated as Qualis A2; its editorial line is to approach relevant topics of the field of Communication, understood here as a complex socio-cultural process and practice. The articles must be well-founded and mobilise different authors of a given theoretical tendency so that they develop a critical reflection about the approached thematic topics. In the case of empirical articles, besides the contextualisation and the descriptive stage of the material, we privilege articles which present a theoretico-interpretative of the aspects that are observed in the corpus.
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