Unburdening Liveness

IF 0.4 2区 艺术学 0 THEATER TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-12-01 DOI:10.1017/S1054204322000545
Tavia Nyong’o
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引用次数: 0

Abstract

How has presence transformed under recent pandemic conditions and ongoing digital saturation? José Esteban Muñoz’s now classic critique of liveness illuminates the works of several contemporary Black performance artists whose work intervenes against the corporeal burdens of our moment.
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无负担的生活
在最近的疫情和持续的数字饱和下,存在是如何转变的?何塞·埃斯特班·穆尼奥斯(JoséEsteban Muñoz)现在对生活的经典批判照亮了几位当代黑人行为艺术家的作品,他们的作品对抗了我们当下的物质负担。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
63
期刊介绍: TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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