{"title":"Ruina/basural: Lógicas temporales y espaciales de la ciudad de La Paz en Saenz y Viscarra","authors":"I. Feldman","doi":"10.5195/bsj.2021.253","DOIUrl":null,"url":null,"abstract":"This article analyzes spatio-temporal logics in the representation of the city of La Paz in Imágenes Paceñas by Jaime Saenz and the urban chronicles of Víctor Hugo Viscarra. Juxtaposing the concepts of chrononormativity and queer time, it explores how linear temporal logic remains insufficient for the understanding of the city and its inhabitants in the two narrative projects. The article postulates that the marginal spaces of architectural ruins and garbage dumps, and the marginalized people who inhabit queer space-time are key to “revealing the hidden city” and understanding its contradictory place in the national narrative and space.","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bolivian Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/bsj.2021.253","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This article analyzes spatio-temporal logics in the representation of the city of La Paz in Imágenes Paceñas by Jaime Saenz and the urban chronicles of Víctor Hugo Viscarra. Juxtaposing the concepts of chrononormativity and queer time, it explores how linear temporal logic remains insufficient for the understanding of the city and its inhabitants in the two narrative projects. The article postulates that the marginal spaces of architectural ruins and garbage dumps, and the marginalized people who inhabit queer space-time are key to “revealing the hidden city” and understanding its contradictory place in the national narrative and space.
本文分析了Jaime Saenz的《Imágenes Paceñas》和Víctor Hugo Viscarra的《城市编年史》中拉巴斯市表现的时空逻辑。它将时间规范性和酷儿时间的概念并置,探讨了在这两个叙事项目中,线性时间逻辑如何仍然不足以理解城市及其居民。本文认为,建筑废墟和垃圾堆的边缘空间,以及居住在酷儿时空中的边缘人群,是“揭示隐藏的城市”并理解其在国家叙事和空间中矛盾位置的关键。