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Narco-trafficking and Camba Identity in Homero Carvalho Oliva’s La conspiración de los viejos 霍梅罗·卡瓦略·奥利瓦的《老阴谋》中的毒品贩运和坎巴身份
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.213
Dorian Lee Jackson
This article examines the novel’s use of the camba identity and the vestiges of narco-violence, embodied by a contract killer and the memory of a local drug baron, Roberto Suárez Gómez, to critique both the contemporary political tensions arising between the eastern departments of Bolivia and the MAS administration, as well as the lack of collective dialogue regarding the region’s involvement in the history of the Bolivian drug trade.
这篇文章探讨了小说对坎巴身份和毒品暴力残余的使用,其中包括一名合同杀手和当地毒枭罗伯托·苏亚雷斯·戈麦斯的记忆,以批评玻利维亚东部部门和MAS政府之间出现的当代政治紧张局势,以及缺乏关于该区域参与玻利维亚毒品贸易历史的集体对话。
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引用次数: 0
Los afectos de la memoria. Familia, Memoria y Nación en la novela contemporánea boliviana 记忆的影响。玻利维亚当代小说中的家庭、记忆和民族
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.242
Jaime Omar Salinas Zabalaga
This article proposes an analysis of the novel Los afectos (2015) by Rodrigo Hasbún that sheds light on new forms of giving meaning to reality in the contemporary Bolivian novel. Based on a hypothesis that identifies the narrative strategies that the novel uses to fictionalize the family memory and national history, I argue that Los afectos explores new forms of connections between aesthetics and politics. Although Hasbún's novel draws attention for its polyphonic structure and plurality of modes of enunciation from which the different narrators position themselves, this innovative proposal is limited by narrative mechanisms that impose forms of control over fictionalized memory, closing any possibility to imagine new relationships between history, memory and narration. The novel, however, leaves open the possibility that, thinking from an affective point of view, more democratic ways of building shared memories may emerge.  
本文对罗德里戈·哈斯本的小说《Los afectos》(2015)进行了分析,揭示了玻利维亚当代小说赋予现实意义的新形式。基于一个假设,即小说用来虚构家庭记忆和国家历史的叙事策略,我认为《洛杉矶时报》探索了美学和政治之间新形式的联系。尽管Hasbún的小说以其复调结构和多种表达方式吸引了人们的注意,不同的叙事者从中定位自己,但这一创新建议受到叙事机制的限制,这些叙事机制对虚构的记忆施加了形式的控制,关闭了想象历史、记忆和叙事之间新关系的任何可能性。然而,这部小说留下了一种可能性,即从情感的角度思考,建立共同记忆的更民主的方式可能会出现。
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引用次数: 0
Bolivian National Revolution: Bolivian Women Without Revolution 玻利维亚民族革命:没有革命的玻利维亚妇女
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.208
Estelí Puente Beccar
The 1952 National Revolution drew a line that divided Bolivian history in two. In this article I analyze the effects that the Revolution had on the lives of women with respect to the changes in legislation during the MNR government, from 1952 to 1964, and the sociocultural transformations that arose mainly from the political activism of women and their relationship with the processes of State transformation. Despite the fact that I start from the fact that the Revolution was a turning point for the history of the country and that fundamental changes for Bolivian society arose from it, I maintain that, in the case of women, the Revolution did not determine great conquests, neither in the legal field nor in the political field.
1952年的国民革命将玻利维亚的历史一分为二。在这篇文章中,我分析了革命对妇女生活的影响,包括1952年至1964年MNR政府期间立法的变化,以及主要由妇女的政治激进主义及其与国家转型过程的关系引起的社会文化转型。尽管我从革命是玻利维亚历史的转折点开始,玻利维亚社会也因此发生了根本性的变化,但我坚持认为,就妇女而言,无论是在法律领域还是政治领域,革命都没有决定伟大的征服。
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引用次数: 0
Cantos sagrados y voces colectivas descoloniales desde la voz de Elvira Espejo Ayca. Kirki Qhañi. Petaca de las poéticas andinas (2022) 来自Elvira Espejo Ayca的神圣圣歌和非殖民化集体声音。Kirki Qhañi。安第斯诗学的佩塔卡(2022)
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.279
Adriana Sánchez Gutiérrez
This article-interview with the poet Elvira Espejo Ayca discusses the process of recovering the sacred songs of the Aymara and Quechua indigenous communities through the oral tradition from her grandmother Gregoria Mamani and her great-great-grandmother Martina Pumala. The song-poems preserve Inca meanings and aesthetics that the indigenous people used during Colonization to maintain good relations with the Spanish domain and, in turn, mask those referring to the Inca deities. Some songs have been taken up to unravel the lyrical resources of colonial times and recreate the original songs of the ancestors with the community of Kurmi Wasi School in Bolivia, a musical production that was recorded under the name of Sami Kirki in 2018, which was included in the last Espejo’s book Kirki Qhañi (2022).
这篇采访诗人Elvira Espejo Ayca的文章讨论了通过她的祖母Gregoria Mamani和曾曾祖母Martina Pumala的口头传统,恢复艾马拉和盖丘亚土著社区神圣歌曲的过程。这些诗歌保留了印加的含义和美学,土著人民在殖民时期使用这些含义和美学来维持与西班牙领地的良好关系,反过来掩盖了那些涉及印加神灵的内容。一些歌曲被用来揭示殖民时期的抒情资源,并与玻利维亚的Kurmi Wasi学校社区一起重现祖先的原始歌曲,这是2018年以Sami Kirki的名义录制的音乐作品,并被收录在Espejo的最后一本书Kirki Qhañi(2022)中。
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引用次数: 0
Linda Farthing y Thomas Becker. Coup: A Story of Violence and Resistance in Bolivia 琳达·法辛和托马斯·贝克尔。政变:玻利维亚的暴力和抵抗故事
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.285
Bret Gustafson
n/a
N/A
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引用次数: 0
The Folkloric-Festive continuum of an Emerging Elite in La Paz 拉巴斯新兴精英的民俗节日连续体
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.238
Danny Daniel Mollericona Alfaro
This article presents the results of the ethnographic research conducted in the period 2015-2017 with the Fraternidad Verdaderos Intocables for the purpose of analyzing reciprocal exchanges through drinking and their impact on the collective sense of community in an urban context. It is proposed that social interactions mediated by alcohol at the space-time of the fiesta signal/impulse chains of reciprocity in present/future overlapping space-time interactions resulting in a folkloric-festive continuum that reinforces the bonds of participants as compadres. This article intends to contribute to the emerging scholarly interest in calendric folkloric festivities in Bolivia by linking that research with the study of alternatives ways to conceive citizenship through public ritual interactions. Contrary to a common assumption that ostentation and big quantities of drunkenness in folkloric events related to a new folklorist elite are “irrational,” ethnographic research found that the dynamics of alcohol distribution/consumption is very carefully structured ritually and has direct implications in social reproduction and collective identity among the participants. 
本文介绍了2015-2017年期间与Verdaderos Intocables合作进行的民族志研究结果,目的是分析通过饮酒进行的互惠交流及其对城市背景下社区集体意识的影响。本文提出,在现在/未来重叠的时空互动中,由酒精介导的社会互动在节日信号/冲动链的时空中产生了民俗-节日连续体,从而加强了参与者作为同伴的纽带。本文旨在通过将玻利维亚日历民俗庆祝活动的研究与通过公共仪式互动构思公民身份的替代方法的研究联系起来,为新兴的学术兴趣做出贡献。人们通常认为,与新民俗学精英有关的民俗事件中的炫耀和大量醉酒是“非理性的”,与此相反,民族志研究发现,酒精分配/消费的动态是非常谨慎的仪式结构,对参与者的社会再生产和集体认同有直接的影响。
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引用次数: 0
Movilidad urbana y “geometrías de poder”: El tranvía urbano en La Paz a principios del siglo XX 城市流动性与“动力几何”:20世纪初拉巴斯的城市有轨电车
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.277
J. Velasco
The historical development of the electric trolley in La Paz is connected to the process of modernization and urban expansion carried out by the liberal criollo-mestizo elites in the early 20th century. The archival documentation shows the trolley as part of the development of the city's modern transportation system, but also as a technology connected to the social development of groups in conflict for the material and symbolic control of urban space. Drawing on Doreen Massey's analysis of "power-geometries," the article argues that the trolley was functional in the constitution of social subjectivities shaping people’s understanding and experience of public space, and it was part of a mobility and access policy in the idea that mobility and control of mobility reflect and reinforce power relations. 
拉巴斯电车的历史发展与20世纪初自由主义的克里奥-梅斯蒂索精英所进行的现代化进程和城市扩张有关。档案文件显示,有轨电车是城市现代交通系统发展的一部分,也是一种与社会发展相联系的技术,用于冲突群体对城市空间的物质和象征性控制。根据多琳·梅西(Doreen Massey)对“权力几何”(power-geometries)的分析,文章认为电车在塑造人们对公共空间的理解和体验的社会主体性构成中具有功能,并且在流动性和对流动性的控制反映和加强权力关系的理念中,它是流动性和访问政策的一部分。
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引用次数: 0
El Testamento de Manuela Mier: Minera y azoguera de Oruro, 1805. Manuela Mier的遗嘱:Minera y azoguera de Oruro, 1805年。
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.239
María Concepción Gavira Márquez
This work aims to highlight women’s role in Andean colonial mining based on the transcription and commentary of Manuela Mier's will. Using the case of Manuela as example, our intention is to identify a group of women who worked as “azogueras” (quicksilver workers), “trapicheras”, and mine owners during the colonial period, activities which were usually ascribed to men. Notarial protocols represent an important source of documents to analyse the role of women in all areas, including colonial mining, as it will be addressed in this article.  
这部作品旨在通过对Manuela Mier遗嘱的转录和评论,突出女性在安第斯殖民采矿中的作用。以马努埃拉为例,我们的目的是确定殖民时期作为“azogueras”(水银工人)、“trapicheras”和矿主工作的一群女性,这些活动通常被归咎于男性。公证协议是分析妇女在包括殖民采矿在内的所有领域的作用的重要文件来源,本文将对此进行论述。
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引用次数: 0
Quya Reyna. Los hijos de Goni 库亚·雷纳。戈尼的孩子们
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.288
María Ximena Postigo Guzmán
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引用次数: 0
Índice de la Revista de Estudios Bolivianos Vol. I No. 1 (1990) - Vol. 14 (2007) 玻利维亚研究杂志索引第一卷第一期(1990年)-第14卷(2007年)
Q4 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.5195/bsj.2022.284
Martha E. Mantilla
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引用次数: 0
期刊
Bolivian Studies Journal
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