{"title":"„Ile przemilczam, tego nie wypowiem”: o (prze)milczeniu w utworach Wisławy Szymborskiej i ich przekładzie na język niemiecki","authors":"Joanna Kubaszczyk","doi":"10.12797/lv.16.2021.32.20","DOIUrl":null,"url":null,"abstract":"“How Much I Dissemble I shall not Utter”: on Aposiopesis in the Poems by Wisława Szymborska and Their Translation into German \nKrystyna Pisarkowa emphasises the importance of means which participate in shaping the expression of emotions in a poetic text, and calls for extracting from the text “essential ingredients from seemingly minor semantic accents” (Pisarkowa 1998: 36). In this article, the author takes this inspiration and analyses how Wisława Szymborska applies silence in her poems as an aesthetic category and an expression of choked emotions, what indicators of silence she uses, and what happens with this silence in the translation of her poems into German by Karl Dedecius. The author concludes that a translator should be able to empathise with emotions and be an intermediary not only for the word, but also for the unspoken.","PeriodicalId":52400,"journal":{"name":"LingVaria","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"LingVaria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12797/lv.16.2021.32.20","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
“How Much I Dissemble I shall not Utter”: on Aposiopesis in the Poems by Wisława Szymborska and Their Translation into German
Krystyna Pisarkowa emphasises the importance of means which participate in shaping the expression of emotions in a poetic text, and calls for extracting from the text “essential ingredients from seemingly minor semantic accents” (Pisarkowa 1998: 36). In this article, the author takes this inspiration and analyses how Wisława Szymborska applies silence in her poems as an aesthetic category and an expression of choked emotions, what indicators of silence she uses, and what happens with this silence in the translation of her poems into German by Karl Dedecius. The author concludes that a translator should be able to empathise with emotions and be an intermediary not only for the word, but also for the unspoken.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
