{"title":"The Restless Orders of Nature: Multispecies Classification in Jean Corbechon's Livre des propriétés des choses","authors":"Luke Sunderland","doi":"10.1215/10829636-9687872","DOIUrl":null,"url":null,"abstract":"The description of living beings—the “ornements” of the earth in all their diversity—is a central task of Jean Corbechon's fourteenth-century encyclopedia, the Livre des propriétés des choses, a translation into French of Bartholomaeus Anglicus's thirteenth-century De proprietatibus rerum, undertaken for Charles V of France. This article surveys the system for conceptualizing nature in Corbechon's encyclopedia. The Livre's account of animal, vegetable, and mineral life surpasses that of bestiaries and other vernacular encyclopedias, providing an idiom in French for the expression of natural diversity, complemented by new visualizations in the illustrated manuscripts. The concept of propriétés articulates the principles of diversity from elemental commonalities, through groups and subgroups such as birds and birds of prey, down to individual species. The Livre encourages the formation of analogies between beings, especially in terms of anatomy and modes of motion, reproduction, combat, and nutrition. Visual tools, including image grids, express groupings, and the etymologies of beings’ names gloss their properties and create links to human life. Ultimately, a restless ontological complexity of beings emerges, as the properties of animals, plants, and stones are enmeshed with each other and with human beings.","PeriodicalId":51901,"journal":{"name":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10829636-9687872","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
The description of living beings—the “ornements” of the earth in all their diversity—is a central task of Jean Corbechon's fourteenth-century encyclopedia, the Livre des propriétés des choses, a translation into French of Bartholomaeus Anglicus's thirteenth-century De proprietatibus rerum, undertaken for Charles V of France. This article surveys the system for conceptualizing nature in Corbechon's encyclopedia. The Livre's account of animal, vegetable, and mineral life surpasses that of bestiaries and other vernacular encyclopedias, providing an idiom in French for the expression of natural diversity, complemented by new visualizations in the illustrated manuscripts. The concept of propriétés articulates the principles of diversity from elemental commonalities, through groups and subgroups such as birds and birds of prey, down to individual species. The Livre encourages the formation of analogies between beings, especially in terms of anatomy and modes of motion, reproduction, combat, and nutrition. Visual tools, including image grids, express groupings, and the etymologies of beings’ names gloss their properties and create links to human life. Ultimately, a restless ontological complexity of beings emerges, as the properties of animals, plants, and stones are enmeshed with each other and with human beings.
对生物的描述——地球上各种各样的“装饰品”——是让·柯比松14世纪的百科全书《自由的个体》(Livre des propriactsams des choses)的一个中心任务,这本百科全书是13世纪巴塞洛缪·安利库斯(Bartholomaeus Anglicus)的《自由的个体》(De proprietatibus rerum)的法语翻译,是为法国查理五世承担的。本文考察了柯比雄百科全书中对自然概念化的系统。《利弗尔》对动物、植物和矿物生命的描述超越了动物传记和其他白话百科全书,它提供了一种表达自然多样性的法语成语,并辅以插图手稿中的新视觉效果。固有薪金薪金的概念阐明了多样性的原则,从基本的共性,通过类群和次类群,如鸟类和猛禽,一直到单个物种。Livre鼓励生物之间形成类比,特别是在解剖学和运动模式、繁殖、战斗和营养方面。视觉工具,包括图像网格,表达分组,以及生物名字的词源修饰了它们的属性,并创建了与人类生活的联系。最终,当动物、植物和石头的属性彼此交织在一起,并与人类纠缠在一起时,一种不安的生物本体论复杂性出现了。
期刊介绍:
The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.