{"title":"Living in a modern way in The Moon is Blue (1953, Otto Preminger): mid-century modern architecture, interiors, and furniture","authors":"P. Kirkham","doi":"10.1080/20419112.2019.1671652","DOIUrl":null,"url":null,"abstract":"This article focuses on The Moon is Blue (1953, Otto Preminger), a light-hearted romantic comedy starring Maggie McNamara as an aspiring young actor, Patty O’Neill, and William Holden as architect Donald Gresham. The first Hollywood movie largely set inside a high-end Mid-Century Modern domestic interior, it features some top-quality machine mass-produced furniture by leading US designers and manufacturers. After considering the design production team, I discuss the ways in which the film promotes the furniture and the performance of modern ways of living. I also discuss how the film uses the interiors in a neighbouring apartment as a counterpoint to that of Gresham.","PeriodicalId":41420,"journal":{"name":"Interiors-Design Architecture Culture","volume":"10 1","pages":"103 - 122"},"PeriodicalIF":0.2000,"publicationDate":"2019-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20419112.2019.1671652","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interiors-Design Architecture Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20419112.2019.1671652","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
This article focuses on The Moon is Blue (1953, Otto Preminger), a light-hearted romantic comedy starring Maggie McNamara as an aspiring young actor, Patty O’Neill, and William Holden as architect Donald Gresham. The first Hollywood movie largely set inside a high-end Mid-Century Modern domestic interior, it features some top-quality machine mass-produced furniture by leading US designers and manufacturers. After considering the design production team, I discuss the ways in which the film promotes the furniture and the performance of modern ways of living. I also discuss how the film uses the interiors in a neighbouring apartment as a counterpoint to that of Gresham.