L'immaginario della prestazione.Percorsi di ricerca sulle nuove forme di soggettività = The imagery of performance. Research paths on new forms of subjectivity

IF 0.2 Q4 COMMUNICATION H-ermes-Journal of Communication Pub Date : 2021-05-07 DOI:10.1285/I22840753N19P31
Valentina Cremonesini
{"title":"L'immaginario della prestazione.Percorsi di ricerca sulle nuove forme di soggettività = The imagery of performance. Research paths on new forms of subjectivity","authors":"Valentina Cremonesini","doi":"10.1285/I22840753N19P31","DOIUrl":null,"url":null,"abstract":"The research path I am presenting here focuses on an analysis of the imagery of the \"Performance Society\". This phrase is to be meant as the overall (re)-configuration of contemporary society. A new form of reality, in which the relationship between the individual and society is (re)-thought in market terms, according to a corporate management approach. A generative form of a new anthropology and of a new idea of subjectivity, of performative type. In this essay, the performative subject is investigated resorting to a phenomenological point of view; hence highlighting as \"having to be performative\" is, first and foremost, a norm (and a set of typified meanings) increasingly taken for granted by millions of individuals in the world. In this study, I have analysed some of the most relevant international publications focusing on self-management, namely that set of widely spread formulae which address the need for constant improvement that social actors experience in their daily \"performance\". Moving from this analysis, I have tried to understand how the concept of performative subject is meant and represented, hereby contributing to produce – in the global imagery – more and more typical forms of subjectivity.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"H-ermes-Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1285/I22840753N19P31","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0

Abstract

The research path I am presenting here focuses on an analysis of the imagery of the "Performance Society". This phrase is to be meant as the overall (re)-configuration of contemporary society. A new form of reality, in which the relationship between the individual and society is (re)-thought in market terms, according to a corporate management approach. A generative form of a new anthropology and of a new idea of subjectivity, of performative type. In this essay, the performative subject is investigated resorting to a phenomenological point of view; hence highlighting as "having to be performative" is, first and foremost, a norm (and a set of typified meanings) increasingly taken for granted by millions of individuals in the world. In this study, I have analysed some of the most relevant international publications focusing on self-management, namely that set of widely spread formulae which address the need for constant improvement that social actors experience in their daily "performance". Moving from this analysis, I have tried to understand how the concept of performative subject is meant and represented, hereby contributing to produce – in the global imagery – more and more typical forms of subjectivity.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
我的想象力。Percorsi di ricerca sulle nuve formme di soggettiviten =表演的意象。主体性新形式的研究路径
我在这里介绍的研究路径侧重于对“表演社会”意象的分析。这句话的意思是当代社会的整体结构。一种新的现实形式,根据公司管理方法,从市场角度重新思考个人和社会之间的关系。一种新人类学的生成形式,一种新的主体性观念的生成形式。本文运用现象学的观点对表演主体进行了研究;因此,强调“必须是表演性的”首先也是最重要的,是世界上数百万人越来越认为理所当然的一种规范(和一套典型的含义)。在这项研究中,我分析了一些关注自我管理的最相关的国际出版物,即一套广泛传播的公式,这些公式解决了社会行动者在日常“表现”中不断改进的需求。从这个分析中,我试图理解表演主体的概念是如何被理解和表达的,从而在全球意象中产生越来越多的典型主体形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
审稿时长
9 weeks
期刊最新文献
La costruzione dell'immaginario M5S attraverso i social media: qual è stato il ruolo del Direttorio? = The construction of M5S imaginary through social media: what has the role of the Directorate been? Una dinamica degli sguardi dall'immaginario creepypasta all'horror videoludico = A dynamics of gazes from the creepypasta imaginary to horror videogames Unicorno-mania: dalla mitologia greca all'immaginario contemporaneo = Unicorn-mania: from Greek mythology to contemporary imagery Estudos de imaginário do jornalismo no Brasil = Imaginary studies of journalism in Brazil The algorithmic imaginary of cultural producers. Towards platform-optimized music?
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1