Семантика образа лебедя в космогонических представлениях бурят

Q2 Arts and Humanities Mongolovedenie Pub Date : 2022-08-10 DOI:10.22162/2500-1523-2022-2-360-370
Nadezhda B. Dashieva
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Abstract

Introduction. In mythological worldviews of Buryats and quite a number of other Turko-Mongols, swan acts as a totem on the female part of the ethnic community. The article examines the image of swan in Buryat cosmogonic folkways. The semantic approach to the study of functions attributed to Swan Maiden in mythological worldviews of Buryats and some other Turko-Mongols of Siberia and Central Asia, and historical cultures of the region makes the work topical enough. Goals. The study aims to delineate cosmogonic and cosmological ideas in the plot of the genealogical myth of Khori Buryats, and seasonal holidays resulting from by the former. Materials and methods. The paper primarily explores writings by M. Khangalov, G. Rumyantsev, A. Okladnikov, and D. Raevsky. The main research methods used are the cultural/semantic, comparative, and historical/comparative ones (the latter instrumental in analyzing structural units of the myth that make it possible to reveal its links with Scythian cosmology and Indo-Iranian mythology). The chronological framework of the study covers the late 19th to early 29th century. Results. In the myth, changes in anthropomorphic and ornithomorphic appearances of swan maiden serve to model spatial and temporal parameters of the world. Three stages in the development of time correlate with the three stages of Swan Maiden’s life and attest to that mythological worldviews of the community contained no ‘death of time’ concept. The point of ‘disappearance’ of time simultaneously acted as a new beginning to be secured through the milk sprinkling ritual performed by women during seasonal arrivals and reverse migrations of birds. The historical and cultural essentials of the mythologemes ‘marriage’ (autumn rites) and ‘birth’ (spring ones) manifested in Bronze Age petroglyphs of the Baikal bays (Sagan-Zaba, Aya) and the Chuluut River in Mongolia illustrate a process of transforming the Scythian cosmogonic plot into that of a genealogical myth. Conclusions. The image of swan in mythological worldviews of Buryats and a wide range of Turko-Mongols serves a personification of the cosmological classifier.
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宇宙表示中的天鹅语义学
介绍在布里亚特人和许多其他突厥蒙古人的神话世界观中,天鹅是少数民族女性的图腾。本文考察了布里亚特宇宙民俗中的天鹅形象。对布里亚特人和其他西伯利亚和中亚的突厥蒙古人的神话世界观中天鹅女的功能以及该地区的历史文化进行语义研究,使这部作品具有足够的话题性。目标。本研究旨在描绘科里布里亚特家族神话情节中的宇宙观和宇宙学思想,以及由此产生的季节性节日。材料和方法。本文主要探讨了M.Khangalov、G.Rumyantsev、A.Okladnikov和D.Raevsky的著作。主要研究方法有文化/语义、比较和历史/比较方法(后者有助于分析神话的结构单元,从而揭示其与斯基泰人宇宙学和印度-伊朗神话的联系)。该研究的时间框架涵盖了19世纪末至29世纪初。后果在神话中,天鹅少女的拟人化和鸟类化外观的变化是世界空间和时间参数的模型。时间发展的三个阶段与天鹅女的三个人生阶段相关联,证明了该群体的神话世界观不包含“时间之死”概念。时间的“消失”点同时成为一个新的开始,通过女性在季节性到来和鸟类反向迁徙期间进行的洒奶仪式来确保这一点。青铜时代贝加尔湾(萨甘扎巴、阿亚)和蒙古楚鲁特河的岩画中所表现的神话“婚姻”(秋季仪式)和“出生”(春季仪式)的历史和文化本质说明了斯基泰人的宇宙观情节转变为系谱神话的过程。结论。布里亚特人和大量突厥蒙古人的神话世界观中的天鹅形象是宇宙学分类器的化身。
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来源期刊
Mongolovedenie
Mongolovedenie Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
30
审稿时长
4 weeks
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О текстах Манджушри из Научного архива Калмыцкого научного центра РАН (по материалам коллекции Э. Б. Убушиева) Е. А. Стулов в Монголии и для Монголии «Калмыки ныне с Крымом в твердом миру…». Калмыцко-крымские отношения в конце XVII в. Несколько замечаний о монгольских переводах с тибетского языка Калмыцкая знать в начале ХХ в.: нойон Церен-Давид Цанджинович Тундутов
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