Iterative Processes: Notating, Composing, and Performing as Journey Forms

IF 0.3 2区 艺术学 0 MUSIC Contemporary Music Review Pub Date : 2022-05-04 DOI:10.1080/07494467.2022.2080459
L. Redhead
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Abstract

This essay posits that the practices of notation, composition, and performance are not creatively distinct from each other when observed, in particular, in radical works of graphic or text notation that make no or little reference to the western tradition of music notation, and whose composers offer no or few indications of the methods by which they should be interpreted or their intended performance outcomes. In such works of experimental music, performer choice and creativity are highlighted, but issues of composer choice and creativity may be equally observed, alongside the performative practices of notation. Understanding these practices as iterations of the same process means that the activities of notating, composing and performing can be considered as equal without the need to posit the performance of experimental scores as a compositional practice in and of itself. These ideas will be explored in examples from the works ijereja (2015–2016) and glíwmæden (2016)
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迭代过程:作为旅程形式进行标记、组合和执行
本文认为,在观察时,记谱、作曲和演奏的实践并没有创造性地相互区别,特别是在没有或很少参考西方音乐记谱传统的图形或文本记谱的激进作品中,其作曲家没有或很少提供应该解释它们的方法或预期的表演结果的指示。在这样的实验音乐作品中,表演者的选择和创造力是突出的,但作曲家的选择和创造力的问题可能同样被观察到,与演奏实践的符号。将这些实践理解为相同过程的迭代意味着可以将标记,作曲和表演活动视为平等,而无需将实验分数的表现视为作曲实践本身。这些想法将在ijereja(2015-2016)和glíwmæden(2016)的作品中进行探讨。
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
48
期刊介绍: Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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