{"title":"The Fatigue of Culture and Fatigue from Culture in Joseph Brodsky’s Poetry","authors":"Lev A. Zaks","doi":"10.15826/qr.2023.1.780","DOIUrl":null,"url":null,"abstract":"This paper explores the poetry of Joseph Brodsky. One of the spiritual, semantic, and psychological dominants of the artistic consciousness and poetic work of the Nobel laureate acts as the subject of the analysis, and this aspect has not been considered either specifically or comprehensively so far. The author focuses on a typological, spiritual, and mental condition for Brodsky’s artistic consciousness that permeates all of his work, i. e. fatigue. And it is a peculiar kind of fatigue – culturogenic fatigue – which acts, on the one hand, as fatigue of culture itself, its spiritual content, and psychological forms. On the other hand, it is people’s fatigue from this weary culture and its phenomena. Through the analysis of Brodsky’s poems of different periods, the article shows and interprets the main aspects of fatigue expressed in his poetry: fatigue as a property of world attitude, including the perception of nature, space, and time; as an underlying feature of existence (existences); as a dominant psychological mindset/type of personality; as a spiritual and psychological characteristic of the creative process and attitude to creative work, its language and meaning, its works and their recipients. In conclusion, the author states that in Brodsky’s artistic work, the tiredness of art and its cultural foundations paradoxically go hand in hand with his devotion to art and will to create, his ability to find spiritual strength in it and its language.","PeriodicalId":43664,"journal":{"name":"Quaestio Rossica","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quaestio Rossica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15826/qr.2023.1.780","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This paper explores the poetry of Joseph Brodsky. One of the spiritual, semantic, and psychological dominants of the artistic consciousness and poetic work of the Nobel laureate acts as the subject of the analysis, and this aspect has not been considered either specifically or comprehensively so far. The author focuses on a typological, spiritual, and mental condition for Brodsky’s artistic consciousness that permeates all of his work, i. e. fatigue. And it is a peculiar kind of fatigue – culturogenic fatigue – which acts, on the one hand, as fatigue of culture itself, its spiritual content, and psychological forms. On the other hand, it is people’s fatigue from this weary culture and its phenomena. Through the analysis of Brodsky’s poems of different periods, the article shows and interprets the main aspects of fatigue expressed in his poetry: fatigue as a property of world attitude, including the perception of nature, space, and time; as an underlying feature of existence (existences); as a dominant psychological mindset/type of personality; as a spiritual and psychological characteristic of the creative process and attitude to creative work, its language and meaning, its works and their recipients. In conclusion, the author states that in Brodsky’s artistic work, the tiredness of art and its cultural foundations paradoxically go hand in hand with his devotion to art and will to create, his ability to find spiritual strength in it and its language.
期刊介绍:
Quaestio Rossica is a peer-reviewed academic journal focusing on the study of Russia’s history, philology, and culture. The Journal aims to introduce new research approaches in the sphere of the Humanities and previously unknown sources, actualising traditional methods and creating new research concepts in the sphere of Russian studies. Except for academic articles, the Journal publishes reviews, historical surveys, discussions, and accounts of the past of the Humanities as a field.