Rekonstruktion och revitalisering av äldre svenska spelmanslåtar

Thomas Von Wachenfeldt
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Abstract

The present text describes a combined artistic research and recording project of fiddle tunes from the second half of the 18th century in the county of Hälsingland in Sweden. Through studies of older interpretative practices within art and folk music traditions, the project Brudlåtar (2018) was initiated to revitalize and reconstruct the performances of a selection of fiddle tunes. The tunes that were chosen have some common features with the violin sonatas from the baroque and classical periods and were put together into suites where a general bass part was added to strengthen the sound of the 18th century. The study draws on Paul Ricœur’s (1984) mimesis theory and his ideas on transmission of tradition, revitalization and reconstruction. It discusses the various difficulties and opportunities that the interpreter encounters in relation to conventions and source material, and it shows how the cognitive achievements concerning interpretation from traditional music as well as early music, may enrich each other.
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瑞典老音乐歌曲的重建与振兴
本文描述了瑞典Hälsingland县18世纪下半叶小提琴曲调的综合艺术研究和记录项目。通过对艺术和民间音乐传统中较早的诠释实践的研究,brudl(2018)项目启动,旨在振兴和重建小提琴曲调精选的表演。所选择的曲调与巴洛克时期和古典时期的小提琴奏鸣曲有一些共同的特点,并被组合成组曲,其中加入了一般的低音部分,以加强18世纪的声音。本研究借鉴了Paul Ricœur(1984)的模仿理论及其关于传统的传承、复兴和重建的思想。它讨论了口译员在传统和原始材料方面遇到的各种困难和机会,并展示了传统音乐和早期音乐在口译方面的认知成就如何相互丰富。
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