{"title":"The Politicized Christoforos Savva: A Cypriot Artist \"De-cementing\" Nationalism and \"Weaving\" Cypriotism","authors":"Christos Mais","doi":"10.1353/mgs.2021.0029","DOIUrl":null,"url":null,"abstract":"Abstract:Christoforos Savva, one of the most significant Cypriot artists of the 1960s, was also a highly politicized individual whose leftist worldview paralleled his artistic development. Nevertheless, this side of Savva has not been thoroughly explored. Savva created two forms of art: cementografia and ifasmatografia. Ifasmatografies were based on the vernacular tradition of weaving, while cementografies used modern cement, which was coming to replace stone in building construction. Savva's art departed from contemporary nationalist art production, such as that of the painter Adamantios Diamantis, and it also diverged from the Western colonial/orientalist projections depicting a premodern Cyprus. Overall, Savva's oeuvre bore all the hallmarks of contesting both Cypriot nationalisms—the Greek and the Turkish—since it was inclusive and anti-nationalist in its essence.","PeriodicalId":43810,"journal":{"name":"JOURNAL OF MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MODERN GREEK STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mgs.2021.0029","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Christoforos Savva, one of the most significant Cypriot artists of the 1960s, was also a highly politicized individual whose leftist worldview paralleled his artistic development. Nevertheless, this side of Savva has not been thoroughly explored. Savva created two forms of art: cementografia and ifasmatografia. Ifasmatografies were based on the vernacular tradition of weaving, while cementografies used modern cement, which was coming to replace stone in building construction. Savva's art departed from contemporary nationalist art production, such as that of the painter Adamantios Diamantis, and it also diverged from the Western colonial/orientalist projections depicting a premodern Cyprus. Overall, Savva's oeuvre bore all the hallmarks of contesting both Cypriot nationalisms—the Greek and the Turkish—since it was inclusive and anti-nationalist in its essence.
期刊介绍:
Praised as "a magnificent scholarly journal" by Choice magazine, the Journal of Modern Greek Studies is the only scholarly periodical to focus exclusively on modern Greece. The Journal publishes critical analyses of Greek social, cultural, and political affairs, covering the period from the late Byzantine Empire to the present. Contributors include internationally recognized scholars in the fields of history, literature, anthropology, political science, Byzantine studies, and modern Greece.