Beautiful Money; or, What Can Contemporary Art Teach Us about the Neoliberal Economy?

IF 0.1 0 LITERATURE, ROMANCE Revista Hispanica Moderna Pub Date : 2019-12-04 DOI:10.1353/rhm.2019.0015
Pedro R. Erber
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引用次数: 1

Abstract

Abstract:In recent years, numerous scholars have called attention to the growing presence of economic rationality in every sphere of contemporary life—including those aspects of human existence portrayed by classical liberal thought as inherently removed from the realm of economic interests. In the realm of contemporary art, which is often described as an exemplary case, it is said that market expertise has replaced critical, aesthetic judgment. However, what if this mode of market expertise and, more broadly, neoliberal reason as such have more in common with aesthetic judgment than one might usually imagine? In reference to the work of visual artists such as Cildo Meireles and novelists ranging from Machado de Assis to Ricardo Lísias, and drawing upon a wide range of theoretical perspectives on contemporary cultural and economic theory, this paper investigates the aesthetic underpinnings of contemporary capitalism.
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美丽的钱;或者,关于新自由主义经济,当代艺术能教给我们什么?
摘要:近年来,许多学者呼吁人们注意经济理性在当代生活的各个领域越来越普遍,包括那些被古典自由主义思想描绘为天生脱离经济利益领域的人类生存方面。在当代艺术领域,这通常被描述为一个典型的案例,据说市场专业知识已经取代了批判性的审美判断。然而,如果这种市场专业知识模式,以及更广泛地说,新自由主义理性与审美判断的共同点比人们通常想象的要多,该怎么办?本文参照西尔多·梅雷莱斯等视觉艺术家和从马查多·德·阿西斯到里卡多·莱西亚斯等小说家的作品,并借鉴当代文化和经济理论的广泛理论视角,探讨了当代资本主义的美学基础。
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来源期刊
Revista Hispanica Moderna
Revista Hispanica Moderna LITERATURE, ROMANCE-
CiteScore
0.10
自引率
0.00%
发文量
11
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