Polemical Laughter in Thomas Middleton’s A Game at Chess (1624)

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES ENGLISH LITERARY RENAISSANCE Pub Date : 2020-03-01 DOI:10.1086/708233
A. Streete
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Abstract

Contemporary accounts note that audiences laughed heartily at Thomas Middleton’s scandalous play A Game at Chess. But do we really know what they were laughing at? Only partially. Drawing on recent research in early modern wit, I reconsider the place of laughter in the play and its polemical source texts by exploring significant late-Jacobean debates about religious laughter, mockery, personation, and theater. These debates enable a clearer understanding of how laughter works in the play, allowing us in turn to reassess A Game at Chess as a response to the political crisis of 1624 when war between Britain and Spain seemed imminent. [A.S.]
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托马斯·米德尔顿的《国际象棋游戏》(1624)
当代报道指出,观众们对托马斯·米德尔顿的丑闻剧《国际象棋游戏》开怀大笑。但我们真的知道他们在笑什么吗?只是部分。根据最近对早期现代智慧的研究,我通过探索雅各布斯晚期关于宗教笑声、嘲讽、人物扮演和戏剧的重要辩论,重新考虑了笑声在剧中的地位及其争议性的原始文本。这些辩论使我们能够更清楚地理解笑声在剧中的作用,从而使我们能够重新评估《国际象棋游戏》,以应对1624年的政治危机,当时英国和西班牙之间的战争似乎迫在眉睫。[A.S]
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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