Metaphorical thinking in our literary experiences of J.D. Salinger’s “The Catcher in the Rye”

IF 0.3 2区 文学 N/A LANGUAGE & LINGUISTICS JOURNAL OF LITERARY SEMANTICS Pub Date : 2021-04-01 DOI:10.1515/jls-2021-2027
Carina Rasse, R. Gibbs
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引用次数: 5

Abstract

Abstract This article explores how literary texts, in this case the novel “Catcher in the Rye” by J.D. Salinger, elicit metaphorical thinking as a major part of readers’ interpretive experiences. Our main argument is that metaphorical thinking does not arise only given our encounter with individual verbal metaphors, but emerges in various ways as part of our habitual forms of imaginative metaphorical understandings. Metaphorical thinking is closely linked to embodied simulation processes by which readers project themselves imaginatively into the lives of story characters. Embodied simulation processes capture readers’ rich phenomenological characteristics (e.g., immersion, absorption, transportation) of literary experience. Metaphorical thinking unfolds in hierarchical layers across different time spans during literary reading.
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塞林格《麦田里的守望者》文学体验中的隐喻思维
摘要本文探讨文学文本,在这种情况下,J.D.塞林格的小说《麦田里的守望者》,是如何引发隐喻思维的,这是读者解释体验的主要部分。我们的主要论点是,隐喻思维不仅仅是在我们遇到个别言语隐喻时产生的,而是以各种方式作为我们想象力隐喻理解的习惯形式的一部分出现的。隐喻思维与具体的模拟过程密切相关,读者通过这些模拟过程将自己想象地投射到故事人物的生活中。具体化的模拟过程捕捉到读者丰富的文学体验现象学特征(如沉浸、吸收、运输)。在文学阅读过程中,隐喻思维在不同的时间跨度内呈现出不同的层次。
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来源期刊
CiteScore
0.90
自引率
10.00%
发文量
19
期刊介绍: The aim of the Journal of Literary Semantics is to concentrate the endeavours of theoretical linguistics upon those texts traditionally classed as ‘literary’, in the belief that such texts are a central, not a peripheral, concern of linguistics. This journal, founded by Trevor Eaton in 1972 and edited by him for thirty years, has pioneered and encouraged research into the relations between linguistics and literature. It is widely read by theoretical and applied linguists, narratologists, poeticians, philosophers and psycholinguists. JLS publishes articles on all aspects of literary semantics. The ambit is inclusive rather than doctrinaire.
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