Mark Twain’s Legal Burlesques and the Democratization of American Legalese

IF 0.2 0 LITERATURE, AMERICAN Mark Twain Annual Pub Date : 2021-11-01 DOI:10.5325/marktwaij.19.1.0095
J. Baggett
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引用次数: 1

Abstract

Abstract:Mark Twain’s engagement with the “infernal phraseology of the law” spanned his career: from his sketches in Virginia City to the courtroom trials of his novels. Working in the context of legal reform movements, and using his own knowledge and mastery of law and procedure, Twain’s legal burlesques develop into fully dramatized narratives of humor and satire in which legal rhetoric and the vernacular act as “infernal or subversive agents” of the authority inherent in the law. Thus, at a time when Samuel Clemens began to fashion the voice of Mark Twain, he worked within the context of reform movements that would democratize and demythologize legal language.
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马克·吐温的法律闹剧与美国法律的民主化
摘要:马克·吐温对“法律的地狱措辞”的投入贯穿了他的职业生涯:从他在弗吉尼亚城的素描到他的小说的法庭审判。在法律改革运动的背景下,利用他自己对法律和程序的了解和掌握,吐温的法律滑稽剧发展成了完全戏剧化的幽默和讽刺叙事,在这些叙事中,法律修辞和方言充当了法律固有权威的“地狱或颠覆性代理人”。因此,当塞缪尔·克莱门斯开始为马克·吐温配音时,他在改革运动的背景下工作,这将使法律语言民主化和去神话化。
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来源期刊
Mark Twain Annual
Mark Twain Annual LITERATURE, AMERICAN-
CiteScore
0.40
自引率
14.30%
发文量
16
期刊介绍: The Mark Twain Annual publishes articles related to Mark Twain and those who surrounded him and serves as an outlet for new scholarship as well as new pedagogical approaches. It is the official publication of the Mark Twain Circle of America, an international association of people interested in the life and work of Mark Twain. The Circle encourages interest in Mark Twain and fosters the formal presentation of ideas about the author and his work, as well as the informal exchange of information among its members.
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