Voltaire’s Incomplete Works (and Why They Will Stay that Way)

IF 0.2 3区 历史学 Q2 HISTORY Early Modern French Studies Pub Date : 2021-04-05 DOI:10.1080/20563035.2021.1902197
N. Cronk
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Abstract

The Complete works of Voltaire published by the Voltaire Foundation were begun in 1968 and will be completed in 203 volumes in 2021. In so far as discoveries of manuscripts and editions will continue to be made, this monumental edition is necessarily incomplete. But it is also incomplete in another more profound sense. Eighteenth-century editions of Voltaire present an often unstable version of the text; Voltaire cultivates an open and fluid style, making frequent use of self-quotation, and blurring traditional generic boundaries; Voltaire's characteristically slippery authorial posture, making frequent use of anonymity and pseudonymity, adds further instability to the œuvre. For all these reasons, Voltaire's works present a particular challenge to the critical editor of a print edition – a challenge that perhaps can only be fully met in a digital critical edition.
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伏尔泰的未完成作品(以及为什么它们会一直这样)
伏尔泰基金会出版的《伏尔泰全集》始于1968年,将于2021年完成203卷。就手稿和版本的发现而言,这本不朽的版本必然是不完整的。但在另一个更深刻的意义上,它也是不完整的。伏尔泰十八世纪的版本呈现了一个经常不稳定的文本版本;伏尔泰培养了一种开放而流畅的风格,经常使用自我引用,模糊了传统的一般界限;伏尔泰特有的狡猾的作者姿态,频繁使用匿名和假名,进一步增加了作品的不稳定性。出于所有这些原因,伏尔泰的作品对印刷版的评论编辑提出了特别的挑战——这一挑战可能只有在数字评论版中才能完全满足。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Early Modern French Studies (formerly Seventeenth-Century French Studies) publishes high-quality, peer-reviewed, original articles in English and French on a broad range of literary, cultural, methodological, and theoretical topics relating to the study of early modern France. The journal has expanded its historical scope and now covers work on the sixteenth, seventeenth, and eighteenth centuries. Within this period of French literary and cultural history, the journal particularly welcomes work that relates to the term ''early modern'', as well as work that interrogates it. It continues to publish special issues devoted to particular topics (such as the highly successful 2014 special issue on the cultural history of fans) as well as individual submissions.
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