‘It was your Wickedness my Love to Win’

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Aries-Journal for the Study of Western Esotericism Pub Date : 2020-12-14 DOI:10.1163/15700593-02101007
Christian Giudice
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Abstract

This paper will deal with one of the earliest phases of Aleister Crowley’s (1875–1947) life: his university years spent writing Decadent poetry. Contrary to the vast majority of previous critics, biographer John Symonds in primis, I will set forth the hypothesis that, far from being an amateur and inconsistent lyricist, Crowley fit perfectly within the British Decadent milieu of his day, and should also be considered a bona fide Decadent poet, alongside his more famous colleagues Arthur Symons and Ernest Dowson. Through an analysis of Crowley’s Cambridge years, literary influences, and of the poet’s own verse, it will be my resolve to prove this hypothesis and situate the figure of Crowley qua poet as a legitimate representative of the Naughty Nineties, and to position his poetic output within the already accepted canon of British Decadent verse.
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“我的爱赢得了你的邪恶”
本文将探讨阿莱斯特·克劳利(1875–1947)人生的最早阶段之一:他在大学期间创作了《颓废》诗歌。与之前的绝大多数评论家,传记作家约翰·西蒙兹(John Symonds)相反,我将提出一个假设,即克劳利远非一个业余且前后矛盾的作词人,他完全符合他那个时代的英国颓废派环境,也应该被视为一位真正的颓废派诗人,与他更著名的同事亚瑟·西蒙斯(Arthur Symons)和欧内斯特·道森(Ernest Dowson)一样。通过分析克劳利在剑桥的岁月、文学影响和诗人自己的诗歌,我决心证明这一假设,并将克劳利作为诗人的形象定位为九十年代的合法代表,并将他的诗歌作品定位在已经被接受的英国十年诗歌经典中。
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CiteScore
0.50
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0.00%
发文量
15
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