Night of the resurrected pets: The popular monsters of Tim Burton’s Frankenweenie

Q2 Social Sciences Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI:10.1386/ajpc_00043_1
Jack Alexander McCormack-Clark
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Abstract

Tim Burton’s stop motion-animated remake of his 1984 short film, Frankenweenie was produced and released by Walt Disney Studios. In the film, a young suburban Victor Frankenstein’s dog, Sparky, dies in an accident. In keeping with Burton’s absurd, macabre and Gothic auteurism’s, Frankenstein resurrects his pet. This ultimately leads to a series of chaotic events where the other students discover Frankenstein’s creation and subsequently resurrect of all of their deceased pets which reflect the form of other popular monsters such as, Frankenstein’s monster, Dracula, the Wolfman, the Mummy and the Creature from the Black Lagoon, among many others. I will analyse these satirical reflections of popular monsters through the lens of the whimsical Gothic and seek to identify the implications of Burton’s work to Disney’s brand and aesthetic through the popular monster outside of Disney’s popular repertoire of ‘child friendly’ fairy tales.
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复活宠物之夜:蒂姆·伯顿的《弗兰肯维尼》中流行的怪物
蒂姆·伯顿1984年的短片《弗兰肯维尼》的定格动画翻拍版由华特迪士尼工作室制作并发行。影片中,维克多·弗兰肯斯坦的小狗斯帕基在一次事故中死亡。为了与伯顿的荒诞、恐怖和哥特式导演风格保持一致,弗兰肯斯坦复活了他的宠物。这最终导致了一系列混乱的事件,其他学生发现了弗兰肯斯坦的创造,并随后复活了他们所有死去的宠物,这些宠物反映了其他流行怪物的形式,如弗兰肯斯坦怪物、德古拉、狼人、木乃伊和黑湖生物等。我将通过异想天开的哥特式镜头来分析这些对流行怪物的讽刺反映,并试图通过迪士尼流行的“儿童友好”童话之外的流行怪物来确定伯顿作品对迪士尼品牌和美学的影响。
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Australasian Journal of Popular Culture
Australasian Journal of Popular Culture Social Sciences-Cultural Studies
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