{"title":"Democratic Performance with the Jana Natya Manch in India","authors":"A. Bellucci","doi":"10.1017/S0266464X23000076","DOIUrl":null,"url":null,"abstract":"In the winter of 2020, the Jana Natya Manch (People’s Theatre Front), a political performance group and street-theatre pioneer in India, created a new kind of performance in response to current events. The Hindu-nationalist government was then implementing discriminatory laws targeting Muslims. The very constitution of India, a ‘sovereign, socialist, secular, democratic republic’ (Constitution Preamble) was under threat. Instead of a conventional street play, the Jana Natya Manch set up a participatory ‘game’ or ‘interactive presentation’ that brought together random and diverse audiences to act, or play, as a united people. The group put into place an inclusive experiment, rather than a didactic one, to counter exclusionary rules and address democratic deficits. Thus this Indian ‘people’s theatre’ produced ‘democratic performances’ that questioned both artistic and political representations. This article, based on fieldwork with the Jana Natya Manch, offers a script translation and an analysis of a new kind of performance developed in active circumstances.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"39 1","pages":"136 - 144"},"PeriodicalIF":0.3000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW THEATRE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0266464X23000076","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
In the winter of 2020, the Jana Natya Manch (People’s Theatre Front), a political performance group and street-theatre pioneer in India, created a new kind of performance in response to current events. The Hindu-nationalist government was then implementing discriminatory laws targeting Muslims. The very constitution of India, a ‘sovereign, socialist, secular, democratic republic’ (Constitution Preamble) was under threat. Instead of a conventional street play, the Jana Natya Manch set up a participatory ‘game’ or ‘interactive presentation’ that brought together random and diverse audiences to act, or play, as a united people. The group put into place an inclusive experiment, rather than a didactic one, to counter exclusionary rules and address democratic deficits. Thus this Indian ‘people’s theatre’ produced ‘democratic performances’ that questioned both artistic and political representations. This article, based on fieldwork with the Jana Natya Manch, offers a script translation and an analysis of a new kind of performance developed in active circumstances.
期刊介绍:
New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.