‘Erica Wilson: A Life in Stitches’

IF 0.5 2区 社会学 0 HUMANITIES, MULTIDISCIPLINARY TEXTILE HISTORY Pub Date : 2021-07-03 DOI:10.1080/00404969.2021.2037919
Isabella Rosner
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引用次数: 0

Abstract

‘ERICA WILSON: A LIFE IN STITCHES’, ONLINE EXHIBITION, WINTERTHUR MUSEUM, GARDEN & LIBRARY, DELAWARE, USA, http://ericawilson.winterthur.org/ English-born American embroidery designer Erica Wilson (1928–2011) was and still is referred to as ‘America’s first lady of stitchery’. A graduate of the Royal School of Needlework, Wilson inspired a needlework renaissance, helped invent a new category of publishing and built a multimillion-dollar embroidery empire over the course of her approximately sixty-year career. Her 1962 book Crewel Embroidery resulted in a needlework revival as well as a sea change in publishing (Fig. 1). The first needlework book released by Scribner’s, it sold over one million copies and ushered in a massive demand for craft books. Nearly five decades after the book’s publication, Wilson’s influence is still felt in the craft revolution that has gripped the world during the coronavirus pandemic. FIG. 4. Collar detail of Women’s First World War, Underground Electric Railways Ticket Collector’s uniform. Featured in the ‘London’s Fashion Alphabet’ video for the letter U. # Museum of London, London.
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“Erica Wilson:缝合中的生活”
“ERICA WILSON:缝合中的生活”,在线展览,温特图尔博物馆,花园与图书馆,美国特拉华州,http://ericawilson.winterthur.org/出生于英国的美国刺绣设计师Erica Wilson(1928-2011)过去和现在都被称为“美国刺绣第一夫人”。威尔逊毕业于皇家刺绣学院,在她大约60年的职业生涯中,她激发了刺绣艺术的复兴,帮助发明了一种新的出版类别,并建立了一个价值数百万美元的刺绣帝国。她1962年出版的《Crewel刺绣》一书使刺绣复兴,出版业也发生了翻天覆地的变化(图1)。斯克里布纳出版的第一本刺绣书销量超过100万册,并引发了对工艺书的巨大需求。这本书出版近50年后,威尔逊的影响力仍然体现在新冠疫情期间席卷全球的工艺革命中。图4。女性第一次世界大战衣领细节,地下电气铁路收票员制服。出现在伦敦时尚字母表的视频中。伦敦博物馆,伦敦。
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来源期刊
TEXTILE HISTORY
TEXTILE HISTORY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.00
自引率
0.00%
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期刊介绍: Textile History is an internationally recognised, peer reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published in the spring and autumn of each year, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of scholarship arising from the history of textiles and dress. Since its foundation the scope of the journal has been substantially expanded to include articles dealing with aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing.
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