Still Life with Grapes and Nest

IF 0.1 0 ART Baltic Journal of Art History Pub Date : 2020-12-27 DOI:10.12697/BJAH.2020.20.08
Hilkka Hiiop, A. Uueni, Anneli Randla, A. Läänelaid
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Abstract

A complex conservation process revealed the layer of the painting inits original subtlety and delicate retouchings recreated the integralsurface of the painting. As a result, we can confirm that it is a paintingof high artistic quality dating most probably from the middle ofthe 17th century, painted on an oak panel of German origin. Weremain doubtful about the Internet auction suggested authorship,as the painting does not reach the artistic quality of Jan DavidszDé Heem, a top rank artist from the Netherlands. It is possible tocontinue with the art-historical analysis (and other investigations)of the painting, to find further proof for the hypothetical dating andmaybe even reach an attribution but we must not forget to ask thequestions whether and to whom it would be necessary. What matters for the owner of the painting is the fact that an artwork which decorates the wall of his home has both aesthetic and historical value – even without knowing its exact date or the painter.
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葡萄和鸟巢的静物
一个复杂的保护过程揭示了这幅画最初的微妙之处,精细的修饰重新创造了这幅画的整体表面。因此,我们可以确认,这是一幅艺术质量很高的油画,很可能可以追溯到17世纪中期,画在德国原产的橡木板上。Weremain对网络拍卖表示怀疑,因为这幅画没有达到荷兰顶级艺术家Jan Davidsz DéHeem的艺术质量。我们可以继续对这幅画进行艺术历史分析(和其他调查),为假设的年代找到进一步的证据,甚至可能得出归属,但我们不能忘记问是否有必要以及对谁有必要。对这幅画的主人来说,重要的是,装饰他家墙壁的艺术品既有美学价值,也有历史价值——即使不知道它的确切日期或画家。
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0.20
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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