CRIME AND PUNISHMENT IN THE CHAPTER “REBELLION”, IN THE NOVEL “THE BROTHERS KARAMAZOV” OF F. M. DOSTOEVSKY (Problems of the suffering of the innocent)

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY Folia Linguistica et Litteraria Pub Date : 2021-11-08 DOI:10.31902/fll.38.2021.8
Marina Koprivica
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Abstract

F. M. Dostoevsky is one of the world's great writers who, while preserving the autonomy of a literary work, incorporated into his works issues of an ethical-philosophical and religious character. He permeated his works with echoes of these topics, but, in addition to the literary stamp, in some chapters he concretized ethical-philosophical and religious issues, for example, in the novel "The Brothers Karamazov", in the chapters "Rebellion" and "The Grand Inquisitor”. Concerning his spirituality and his perspective on life and society, Dostoevsky belongs to writers whose moral norms are the foundation and imperative of their poetics. He paid special attention to those who were "insulted and humiliated, ", the so-called "little people", especially children who suffer in the world of adults. In this light, we can also say that the title of the chapter "Rebellion" is a seal of Dostoevsky's work, and our work focuses on the central theme of "Rebellion" - the relationship of adult characters to the suffering of children in the world, and the very purpose of punishment for crimes which cannot adequately be redeemed. By analyzing this key chapter of the novel, through concrete images of the suffering of children and the attitudes of Ivan Karamazov, we emphasize the motif of crime and punishment in "The Brothers Karamazov": the question of freedom, that is, free will, but also love towards people who are close, which Dostoevsky problematizes, especially in the parent-child relationship. We also point out the creative task of this Russian writer; his effort to solve the eternal enigma of man as a being, through which the writer wants to solve the riddle of God. Ivan's rebellion against such an arrangement of God is also shown, in which the suffering of the innocent is allowed, with the hero's rejections of future harmony at the expense of the suffering of the innocent and powerless. In this chapter, which has so far received little attention in literary criticism, Dostoevsky also questioned the eternal questions of man through the experience of lived truth, with the view that there is no goal worthy of a single human life or a child's tears. In his complex task, synthesizing in the sphere of literature, ethical-philosophical and religious attitudes, Dostoevsky determines the essence of man and his moral values, opposing the postulates of the notion of unconditional love to rational will, determined by social, generally accepted factors. Based on a wider range of contrasts and contradictory attitudes of Dostoevsky's heroes, especially Ivan Karamazov in "Rebellion", from atheism, faith and agnosticism, to rebellion and preaching, we conclude that these categories are strongly intertwined in the rich literary amplitude of Dostoevsky - writer and ethicist, philosopher, and preacher in literature - and not only permeate, but always end with the apotheosis of a love for man, especially for the so-called "little man", and for unprotected children, indicating the author’s strong compassion for the suffering of the innocent.
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F.M.多斯托夫斯基的小说《卡拉马佐夫兄弟》中“叛逆”一章中的罪行和惩罚(无辜者的痛苦问题)
F.M.陀思妥耶夫斯基是世界上最伟大的作家之一,他在保持文学作品自主权的同时,将伦理、哲学和宗教问题融入了自己的作品中。他在作品中渗透了这些主题的回声,但除了文学印记之外,在一些章节中,他还具体化了伦理、哲学和宗教问题,例如在小说《卡拉马佐夫兄弟》中,在《叛变》和《大检察官》两章中,陀思妥耶夫斯基的精神性以及他对生活和社会的看法属于道德规范是其诗学基础和必要条件的作家,”,即所谓的“小人物”,尤其是在成人世界中受苦受难的儿童。有鉴于此,我们也可以说,“反抗”一章的标题是陀思妥耶夫斯基作品的印记,而我们的作品聚焦于“反抗”这一中心主题——成人角色与世界上儿童苦难的关系,以及惩罚无法充分救赎的罪行的目的。通过分析小说的这一关键章节,通过儿童苦难的具体图像和伊万·卡拉马佐夫的态度,我们强调了《卡拉马佐夫兄弟》中的犯罪和惩罚主题“:自由的问题,即自由意志,但也包括对亲近的人的爱,陀思妥耶夫斯基对此提出了质疑,尤其是在亲子关系方面这也表明,无辜者的痛苦是允许的,英雄以牺牲无辜者和无权者的痛苦为代价拒绝未来的和谐。在迄今为止在文学批评中很少受到关注的这一章中,陀思妥耶夫斯基还通过对真实生活的体验来质疑人的永恒问题,认为没有一个目标值得一个人的生命或一个孩子的眼泪。陀思妥耶夫斯基在其复杂的任务中,综合了文学、伦理、哲学和宗教态度,确定了人的本质及其道德价值观,反对由社会普遍接受的因素决定的对理性意志的无条件爱的概念的假设。基于陀思妥耶夫斯基的英雄们,特别是《反叛》中的伊万·卡拉马佐夫,从无神论、信仰和不可知论,到反叛和传教,更广泛的对比和矛盾态度,我们得出结论,这些类别强烈交织在陀思妥耶夫斯基丰富的文学振幅中——文学中的作家和伦理学家、哲学家和传教士——,但总是以对男人的爱,尤其是对所谓的“小男人”和对未受保护的儿童的爱而告终,这表明作者对无辜者的苦难怀有强烈的同情。
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来源期刊
Folia Linguistica et Litteraria
Folia Linguistica et Litteraria HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
29
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