Nora Unchained and “Margo Rising”

Abstract

From 1983 to 2003 Francine Pascal’s hugely successful book series Sweet Valley High dominated the young adult publishing market. For the first decade of its life, Sweet Valley’s narrative form was as conventional as the politics it portrayed, but in 1993, with the publication of its one hundredth book, something changed. In this peculiar novel, SVH #100, The Evil Twin, as well as its 1995 sequel, SVH Magna Edition #6, Return of the Evil Twin, the franchise veered from its generic conventions and tried something new—or, more accurately, tried something equally cliched and formulaic but imported from a different genre, i.e., horror. This essay argues that the shift from romance to horror illuminates the troubling cultural and political assumptions that underpin the teenage romance and, as a consequence, threatens—and briefly manages—to subvert them.