One with the Universe: The Construction of Doctor Strange’s Magic in 1973

Mauricio Gerardo Oviedo Salazar
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Abstract

Abstract:This article shows how Doctor Strange was configured at the beginning of the 1970s. At those moments, Steve Englehart and Frank Brunner were put in charge of the adventures of the character, and, through them, Doctor Strange came to reflect diverse esoteric trends, New Age thinking, the use of psychedelics, and Eastern mysticism. A fundamental aspect is that these elements were not seen necessarily just as sources of inspiration by the authors but also as integral components of their own system of beliefs. In this sense, the magic of Doctor Strange in this period became a conscious space and conduit in popular culture to discuss and share a complex network of ideas that not only belonged to the authors but also reflected a number of trends connected to religious thought at the time. The analysis in this article contributes to the study of religious thinking within the configuration of cultural objects and their interaction with society.
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与宇宙融为一体:1973年奇异博士魔术的构建
摘要:这篇文章展示了奇异博士在20世纪70年代初是如何被配置的。在那些时刻,史蒂夫·恩格尔哈特和弗兰克·布伦纳负责这个角色的冒险,通过他们,奇异博士开始反映各种神秘的趋势、新时代的思维、迷幻药的使用和东方神秘主义。一个基本方面是,这些元素不一定只是作者的灵感来源,而且也是他们自己信仰体系的组成部分。从这个意义上说,《奇异博士》在这一时期的魔力成为了流行文化中一个有意识的空间和渠道,用来讨论和分享一个复杂的思想网络,这个网络不仅属于作者,而且反映了当时与宗教思想有关的一些趋势。本文的分析有助于研究文化对象配置中的宗教思维及其与社会的互动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Religion and Popular Culture
Journal of Religion and Popular Culture Arts and Humanities-Religious Studies
CiteScore
0.30
自引率
0.00%
发文量
27
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