The Paradoxes of Religion in Gabrielle Suchon

IF 0.2 3区 历史学 Q2 HISTORY Early Modern French Studies Pub Date : 2021-01-02 DOI:10.1080/20563035.2021.1924009
V. Desnain
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Abstract

Gabrielle Suchon’s reliance on religious texts and authorities to support and legitimise the arguments she makes in her two texts Traité de la morale et de la politique (1693) and Du célibat volontaire (1700) has sometimes been perceived as running contrary to its defence of female freedom. Suchon’s use of religious texts will be examined here as a corner stone of her attack on male hegemony and crucial to her argument, which rests in large part on the distinction between divine law and social customs. The article will focus specifically on how Suchon uses the paradoxes and contradictions found in her extensive corpus of references to advance the notion that the subjugation of women is a political strategy to support male power rather than the result of a natural and divinely ordained hierarchy of genders.
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加布里埃尔苏雄的宗教悖论
加布里埃尔•苏雄(Gabrielle Suchon)依靠宗教文本和权威来支持和合法化她在两部文本《士气与政治》(Traitéde la comethic et de la politique,1693年)和《杜丽巴特·沃隆泰雷》(Du célibat volontaire,1700年)中提出的论点,有时被认为与捍卫女性自由背道而驰。苏重对宗教文本的使用将在这里被视为她攻击男性霸权的基石,对她的论点至关重要,她的论点在很大程度上取决于神圣法律和社会习俗之间的区别。这篇文章将特别关注Suchon如何利用她大量参考文献中发现的悖论和矛盾来推进这样一种观点,即征服女性是一种支持男性权力的政治策略,而不是自然和神圣的性别等级制度的结果。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Early Modern French Studies (formerly Seventeenth-Century French Studies) publishes high-quality, peer-reviewed, original articles in English and French on a broad range of literary, cultural, methodological, and theoretical topics relating to the study of early modern France. The journal has expanded its historical scope and now covers work on the sixteenth, seventeenth, and eighteenth centuries. Within this period of French literary and cultural history, the journal particularly welcomes work that relates to the term ''early modern'', as well as work that interrogates it. It continues to publish special issues devoted to particular topics (such as the highly successful 2014 special issue on the cultural history of fans) as well as individual submissions.
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