Zmiany w kulturze litewskiej XX i XXI wieku. Muzyka ludowa w Wilnie

Q4 Social Sciences Lodzkie Studia Etnograficzne Pub Date : 2018-12-13 DOI:10.12775/lse.2018.57.04
Austė Nakienė
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Abstract

A modern metropolis is an artificially created landscape brimming with a vast variety of significant places, public spaces that mark the historical past, streets with flows of transport, and internet networks that transmit information at lightning speed; it is a landscape with numerous cultural institutions and even with locations where these institutions are concentrated (cultural industries). Traditional culture lives on in such a complex urban structure yet in modest conditions, small premises, or abandoned spaces. Hardly will a resident of Vilnius, who is not interested in it, detect any signs of its existence, but more curious burghers know that they can visit various events associated with traditional culture. Traditional culture has adapted itself: it has found a shelter and has taken root like moss on a stone. This research was carried out by participating in the folklore movement of Vilnius, by taking part in various events and carefully observing them. Having scrutinized the musical scene, the author found some connections between the changes that traditional music underwent in earlier times and the historical shifts she has witnessed in her own lifetime.
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20世纪和21世纪立陶宛文化的变化。维尔纽斯的民间音乐
现代大都市是人工创造的景观,充满了各种各样的重要场所、标志着历史过去的公共空间、交通便利的街道和以闪电般速度传输信息的互联网;这里有许多文化机构,甚至还有这些机构集中的地方(文化产业)。传统文化生活在这样一个复杂的城市结构中,但条件简陋,场所狭小,或是废弃的空间。维尔纽斯的居民如果对它不感兴趣,几乎不会发现它存在的任何迹象,但更好奇的市民知道,他们可以参观与传统文化相关的各种活动。传统文化已经适应了:它找到了避难所,并像石头上的苔藓一样扎根。这项研究是通过参与维尔纽斯的民间传说运动,通过参加各种活动并仔细观察来进行的。在仔细观察音乐场景后,作者发现了传统音乐在早期所经历的变化与她一生中所目睹的历史变化之间的一些联系。
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审稿时长
8 weeks
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