Love-Death Hanna Schmitz in Bernhard Schlink's The Reader Novel

Hendra Kaprisma, Z. Rusnalasari
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Abstract

Literary research, essentially is a process of meeting between literary works and researchers. In this case, it is necessary to pay attention to the reader's situation and reading situation when dealing with literary works. The reader already has a certain amount of knowledge that is realized or will not equip the reading. The knowledge will fill the horizon of understanding when reading the text (novel) with its contextuality. That horizon then directs the reading. Therefore, reading is not a process that runs in one direction, but rather a form of dynamic interaction between the text and the reader. Likewise in the novel The Reader by Bernhard Schlink, readers / researchers will not be able to be separated from the context behind the work. The history of the holocaust sets the stage for telling love stories between Hanna and Michael. The history and love story are interrelated. Literary writers provide a strong setting in the narrative of telling the novel. In the end, the novel became a documentary of the imagination and creativity of the writer in relation to social relations.  
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施林克《读者小说》中的爱情死亡汉娜·施密兹
文学研究,本质上是文学作品与研究者相遇的过程。在这种情况下,在处理文学作品时,有必要关注读者的处境和阅读情况。读者已经掌握了一定数量的知识,这些知识已经实现或将不会为阅读提供装备。当阅读文本(小说)时,知识将充满理解的视野。然后,地平线指引着阅读。因此,阅读不是一个单向的过程,而是文本和读者之间动态互动的一种形式。同样,在伯恩哈德·施林克的小说《读者》中,读者/研究人员将无法脱离作品背后的背景。大屠杀的历史为讲述汉娜和迈克尔之间的爱情故事奠定了基础。历史和爱情故事是相互关联的。文学作家在讲述小说的叙事中提供了一个强有力的背景。最终,这部小说成为了作家在社会关系方面的想象力和创造力的纪录片。
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