{"title":"Abject Objects: Perversion and the Modernist Grid","authors":"F. Proto","doi":"10.1080/20507828.2020.1801027","DOIUrl":null,"url":null,"abstract":"Abstract This article challenges current psychoanalytical thought according to which the three Lacanian clinics of the neurotic, pervert and psychotic coexist in any given era, and suggests instead that identifiable environmental conditions are key to the surfacing of a specific and dominant construction of the self. In the case of the pervert, the narcissistic wounds inflicted by science and technology, as well as an increasingly hostile lifestyle dictated by the Industrial Revolution, become key factors that delineate a form of subjectivity in urgent need of overcoming internal splits. The modernist grid, which both the artistic avant-garde and the pioneers of modern architecture address during the first half of the twentieth century as the panacea for a corrupted world, is here discussed in terms of a subject whose imaginary worldview is determined by the vantage point offered by visual-machines, such as geometric grids, as applied to the production of a sanitized and overcontrolled urban environment. Both the mechanisms and outcomes of this interpretation of the evolution of Western city design are part of the original research question that this article addresses.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"8 1","pages":"564 - 582"},"PeriodicalIF":1.1000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20507828.2020.1801027","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20507828.2020.1801027","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This article challenges current psychoanalytical thought according to which the three Lacanian clinics of the neurotic, pervert and psychotic coexist in any given era, and suggests instead that identifiable environmental conditions are key to the surfacing of a specific and dominant construction of the self. In the case of the pervert, the narcissistic wounds inflicted by science and technology, as well as an increasingly hostile lifestyle dictated by the Industrial Revolution, become key factors that delineate a form of subjectivity in urgent need of overcoming internal splits. The modernist grid, which both the artistic avant-garde and the pioneers of modern architecture address during the first half of the twentieth century as the panacea for a corrupted world, is here discussed in terms of a subject whose imaginary worldview is determined by the vantage point offered by visual-machines, such as geometric grids, as applied to the production of a sanitized and overcontrolled urban environment. Both the mechanisms and outcomes of this interpretation of the evolution of Western city design are part of the original research question that this article addresses.
期刊介绍:
Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.