Scypion Afrykański Starszy i hiszpańskie kobiety. Mit continentia Scipionis i jego recepcja w malarstwie weneckim w XVIII wieku

Dorota Gorzelany-Nowak, P. Matusiak
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Abstract

: Livy and Polybius note that after the conquest of New Carthage, Scipio Africanus the Elder freed Spanish hostages, among whom was Allucius’ fiancée of extraordinary beauty. Not only did Scipio not accept her as a gift, but he summoned her parents and fiancé from her country, returned her to them for free and gave away as a wedding gift the gold intended for her redemption. The motif of the “continence of Scipio”, which was a political strategy aimed at gaining allies and ensuring their friendship with the Romans, was widely reflected in literature, opera and, above all, painting, starting from the sixteenth century. In the article we present works created in the Venetian artistic environment that have not been analyzed before.
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非洲Scypion长老和西班牙妇女。西皮奥尼大陆神话及其在18世纪威尼斯绘画中的接受
:Livy和Polybius注意到,在征服新迦太基后,老西庇奥·阿非利卡努斯释放了西班牙人质,其中包括美丽非凡的Allucius未婚妻。西庇阿不仅不接受她作为礼物,还从她的国家召见了她的父母和未婚夫,将她免费归还给他们,并将赎回她的黄金作为结婚礼物赠送。“西庇阿的节制”是一种旨在获得盟友并确保他们与罗马人友谊的政治策略,从16世纪开始,这一主题在文学、歌剧,尤其是绘画中得到了广泛反映。在这篇文章中,我们介绍了在威尼斯艺术环境中创作的作品,这些作品以前没有被分析过。
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