{"title":"O culturalismo conservador em Narcos","authors":"Márcio Serelle","doi":"10.18568/CMC.V15I42.1495","DOIUrl":null,"url":null,"abstract":"This paper investigates the conservative culturalism discourse in the two first seasons of Netflix series Narcos (2015-2016). The conservative culturalism (SOUZA, 2015) is an idea-force that defines Latin-American societies as insufficiently western places, marked by perversity and corruption. Narcos narrates, from an American perspective, the rising of drug trafficking in Colombia and the trajectory of Pablo Escobar. Thus, it mediates schematic representations of Latin Americans. Narcos domesticates some aspects of narcoculture and, at the same time, celebrates them in an audiovisual industrial format. In this article, I discuss those issues by analyzing narrative elements of the series, which, between fiction and document, circulates, with some controversy, as an account of the recent history of Latin America.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"15 1","pages":"118-137"},"PeriodicalIF":0.0000,"publicationDate":"2018-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comunicacao Midia e Consumo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18568/CMC.V15I42.1495","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 1
Abstract
This paper investigates the conservative culturalism discourse in the two first seasons of Netflix series Narcos (2015-2016). The conservative culturalism (SOUZA, 2015) is an idea-force that defines Latin-American societies as insufficiently western places, marked by perversity and corruption. Narcos narrates, from an American perspective, the rising of drug trafficking in Colombia and the trajectory of Pablo Escobar. Thus, it mediates schematic representations of Latin Americans. Narcos domesticates some aspects of narcoculture and, at the same time, celebrates them in an audiovisual industrial format. In this article, I discuss those issues by analyzing narrative elements of the series, which, between fiction and document, circulates, with some controversy, as an account of the recent history of Latin America.
期刊介绍：
The journal Comunicação, Mídia e Consumo – Communication, Media and Consumption – is published in printed and digital versions by the Programa de Pós-Graduação em Comunicação e Práticas de Consumo da ESPM-SP – Postgraduate Programme in Communication and Consumption Practices of ESPM-SP – Escola Superior de Propaganda e Marketing – Superior School of Propaganda and Marketing and it is evaluated as Qualis A2; its editorial line is to approach relevant topics of the field of Communication, understood here as a complex socio-cultural process and practice. The articles must be well-founded and mobilise different authors of a given theoretical tendency so that they develop a critical reflection about the approached thematic topics. In the case of empirical articles, besides the contextualisation and the descriptive stage of the material, we privilege articles which present a theoretico-interpretative of the aspects that are observed in the corpus.
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